Another Top 10 Predictions For 2018

After reading Lot’s Cave’s post on the Smashwords predictions for 2018, I knew I had to write my own. Last year, I decided to take a break from social media and a hectic writing schedule in favor of observing the market. After all, I’d done painstaking research in that area already. The natural progression turned into a different kind of market analysis. As an author, I’m not particularly fond of words like market analysis, profit margin, gross or net. You get the point. That’s why this post is desperately needed. This is market analysis for those that likewise aren’t too familiar with such terms. That’s okay, I’ll explain everything while discussing my own predictions for 2018.

To framework my thoughts and opinions, I’ve decided to read Smashwords original 2018 Book Industry Predictions post. Why am I doing it this way? Well, it’s actually a really important step in the process. Smashwords is a great site, and Mark Coker is generally really good at explaining things in the industry. But, when it came to this year’s predictions post, he really dropped the ball. There are too many aspects of this industry hidden behind ‘publisher speak’, this combined with his ‘business speak’, and well, you get my idea. All this really does make for a confusing predictions post, and so, here’s the first point for those looking for clarification.

My Top Ten Author Predictions For 2018

1. Indie Authors Did Not Assert Control & Won’t In 2018

For Mark Coker to say that indie authors took control of the publishing world is a gross misunderstanding of the industry. Hidden in Mark Coker’s statement is the idea that prior to indie authors the mainstream publishers were censoring content. This couldn’t be further from the truth. Mainstream publishers have always been competitive, and likewise, do gain an ever increasing platform of visibility. But, they certainly didn’t limit the industry’s content any more than we see it today. Authors could still publish, they could still seek out an audience, but it was much harder.

As a group, indie authors usually suffer a kind of limbo in today’s industry. Many authors don’t want to wait for the big name publishers to publish or accept their manuscripts, and so, they rush off to the nearest indie platform. The problem with this is what follows. An author publishes their somewhat lackluster book, and then, it doesn’t sell. The author gets discouraged and many times, never writes again. Why does this happen? Because the author got the instant gratification of seeing their unpolished book published. There was no trial by fire, and as a result, the author has no root to their craft. When hardships come, they tip over easily.

I’m not against indie authors, I identify largely with the label, but we need to admit our faults. Many mainstream publishers complain about crap flooding the market, and there is a reason for those complaints. Just because someone can publish doesn’t mean they should. For Mark Coker then, to say this sort of ‘all access pass’ to publishing is asserting control, is dishonest. If anything, indie authors have actually damaged the mainstream publishing half of the industry. There were not better deals for authors in mainstream publishing as a result of indie authors. Overall, the whole market needs an equilibrium it will probably never find. That is not, nor has it ever been, control asserted.

2. Kindle Unlimited Is A Lost Cause

Amazon’s Kindle Unlimited is a constant, and albeit reasonable, complaint of Mark Coker. No one is going to lie and say Kindle Unlimited is great for authors. However, we have to be honest about what it is. Kindle Unlimited, and its subsequent books are not a uniform group of ‘leeches to slowly drain other booksellers of their lifeblood.’ To say so, quite frankly, is a little dishonest. What Kindle Unlimited really is remains quite simple, Kindle Unlimited is the socialist system of eBooks. Yes, I mean that in the strongest possible way. Kindle Unlimited is the very definition of Socialism. Merriam-Webster defines Socialism as:

A stage of society in Marxist theory transitional between capitalism and communism and distinguished by unequal distribution of goods and pay according to work done.

In this particular version of Socialism, KENP (Page Reads) are the good to be sold. The unequal distribution lies in that wonderful KDP Select Global Fund. This is not even getting paid for the amount of work done, but rather, the work the ‘government’ thinks you perform by pages read. Yes, this really is a socialist system. For all of Mark Coker’s harsh comments on Kindle Unlimited and Amazon’s monopolistic practices, he’s never once gone so far as to call it like it is. But why hasn’t he? Well, I suspect it is because of the immense amount of pressure not to piss off Amazon, or its author base. Even Mark Coker must make a living competing with Amazon.

As with any socialist system though, it is important to realize Amazon’s Kindle Unlimited will grow worse for authors. Socialism leads to Communism, and yes, there is a difference between the two. The most simplistic definition of Communism is when the government distributes goods equitably, and by equitably, people usually mean by highest need first. Can you imagine this kind of system carried out within Amazon’s Kindle Unlimited? It doesn’t take much imagination. Amazon is already incentivizing certain markets and authors over others. Oh, and that pool of money, well it’s shrinking. What happens when that ‘easy’ money dries up? Kindle Unlimited is a lost cause for any indie author really wanting to support themselves by writing for a living.

3. Breaking Up Amazon Won’t Help — If It Even Happens

Perhaps my biggest complaint against Mark Coker lies in his solution to the problem. Breaking up Amazon won’t really solve the problem we see embodied in the indie author industry. Want proof? Look around at the other largely monopolistic company giants: Google, Facebook, Walmart, etc. There are too many big name big influence companies to list, and we all know their names whatever the niche market. It’s safe to say then, that the problem isn’t just the Romance market. The problem isn’t just Amazon. But where Mark Coker and I differ largely, I suspect, has to do with our politics. To say otherwise would be dishonest. We all have our particularly personal bias, and at least, I’m admitting mine in my blog post.

While Mark Coker advocates the dismantling of Amazon’s monopolistic status, he’s, at the same time, placing blame on Amazon. But, in an odd example, isn’t that kind of like blaming the car for driving over the speed limit? The car was, after all, made to drive 100MPH. Didn’t the car company put you in that position? This argument doesn’t make sense because it doesn’t account for personal responsibility. Amazon isn’t to blame for offering extremely low, often undercutting prices. The consumer is responsible for buying these products without care or concern. This is also true for those using Facebook, Google, and Walmart. There’s just something within the consumer that doesn’t think twice about that next good deal in the long term.

This is largely why breaking up Amazon won’t solve the indie market problem. Authors will still lower their prices to minuscule amounts in the interest of making that next sale. If it isn’t Amazon, it’ll be someone else. The personal responsibility of each and every author plays a huge role in this. That’s why I bother to write blog posts saying such harsh things. I find it a personal responsibility to warn people about undercutting other authors’ prices. Is it an unforgivable sin to utilize Amazon or even Kindle Unlimited? No, but it is a practice that needs to be embraced wisely. If authors charged more or likewise demanded compensation for their time, Amazon eventually have to listen. Mark Coker at least got one thing right on this topic, there’s always an author to take someone else’s place if they don’t play along.

4. This Will Be The Year Of Side Taking

If I’m right, and personal responsibility is important, then 2018 stands to be a year of side taking. What do I mean by that? Well, are you committing to Kindle Unlimited or not? For authors that choose not to, or are barred from, using Kindle Unlimited, the market stands to become a highly competitive marketplace. There will always be the temptation to be jealous of successful authors, but this could get much worse this year. For authors who refuse to play the Amazon game, for authors that turn away all that wonderful imaginary money, the mockery and pain will be an intense constant pain. This is something I’ve already learned and had to embrace in my own unique way.

You know what I love? Ayn Rand’s The Fountainhead. Why is that relevant though? Well, it was my unique way of realizing the struggle of individuality. Writing Taboo Erotica can sometimes feel a bit too glamorous. Authors, myself included, like to think we’re on some sort of crusade for free speech. The problem is though, whether this is true or not, many authors criticize writing any content that doesn’t suit Amazon’s taste or content policy. The Fountainhead showed me why this is. Amazon authors, especially those looking to write for a living, have settled. They think we too should settle, and when we don’t, well it’s a personal conviction against them because they did.

The hatred is real, but many taboo writers don’t know this goes both ways. Amazon exclusive authors are jealous of us too, because we have the freedom of writing for the sake of writing. We have the audacity to charge ‘high’ prices, and our customers pay it. What neither of us, regardless of side, understand is this was all orchestrated to happen. When authors are busy undercutting each other and each other’s prices, well, mainstream publishers get to come up as the ‘hero problem solver’. Authors will flock to a symbol for their cause, and for authors wanting to make money, that symbol is Amazon. The side taking can only grow worse the more extreme tensions get. We need to stop taking sides and realize, we’re all indie authors looking to publish and make some money for our efforts. Why is that continually so complicated?

5. Authors Will Grow More Desperate… And Annoying

Why did I leave the Erotica Authors Reddit community seemingly overnight? Because authors are annoying, and will continue to get even more so. Okay, this isn’t true for every author, after all I’m an author. But, as a majority, the authors looking to eek out a profit at every opportunity are going to get worse. One of the things I did last year was subscribe to a couple author newsletters. Now, I read a wide variety of books and I did get to compare and contrast ‘erotica’ themes newsletters to other market’s newsletters. You know what? The difference is startling! My inbox was filled with erotica themed newsletters almost every single day. The other markets couldn’t compete even when combined. Does anyone see the problem here?

As the market grows more and more competitive, authors are going to get more and more desperate. What will happen to my inbox then? The problem isn’t just newsletters though, it’s a much broader problem. Authors are treating each other rather dishonestly, using them to find that ‘secret solution’ to their problems. Overall, this doesn’t help anyone feel like there is a much broader community of like-minded individuals. What’s worse though, is how it leads authors into settling and foregoing their personal responsibilities. Perhaps no one has thought this through to completion, because no one will be happy when everything is said and done. Readers won’t want newsletters, authors won’t talk to one another, and overall market prices will drop.

The important thing to note in all this is that authors have done this. I’m blaming authors, and I’m not being shy about it. All those people that settled, cut each others throats, and then lowered their prices when nothing else worked are a problem. Yes, scammers are a problem, but there are scammers in every industry. They are a small sliver of the overall representation readers see, or at least, should see. When the authors though start cutting corners, start charging lower and lower prices, and start abusing the trust of their reader base, well, who wouldn’t expect problems? These are all problems, and they’re annoying problems. Isn’t it time we just fixed it?

6. Authors Can’t Expand Into Other Markets

For authors looking to write for a living, pay attention to this one. You cannot expand into a different niche market. Anyone who says there is money to be made in cookbooks, science fiction, or historical fiction are lying to you. This sounds definite because it is. But how can I say it? Well, the logic behind this one is simple: romance is the trend setter. When publishers compare what is called the ‘market share’ of a particular niche, they’re discussing the amount of money a particular kink can earn you in comparison to others. Romance always captures the largest percentage of the market share. Simply put, Romance is the most profitable subject to write. Likewise, this incentivizes the most authors looking to write for a living. Simple enough.

What many authors fail to realize goes hand in hand with this is the fact that Romance is a trend setting niche. The trends that happen in the Romance world eventually trickle down throughout the rest of the market. This means the only reason Science Fiction or Historical Fiction remain lucrative is because the Romance trends haven’t ruined them yet. The minute Romance dries up, authors will move on to the next, which is probably Science Fiction by the way. Don’t buy into the idea that you can simply shift markets without any fallout. You’ll automatically make less money switching from Romance to Science Fiction, all else being equal. Not only that, but the longevity of your income source will dry up at the same time Romance dries up.

There are already whispers about the next market to jump into this year: audio books. What very few people are mentioning along with this is the fact Amazon may ruin the market before it even really began. Need proof? Check out Audible’s Romance Package. Does that scare anyone? It certainly should. Amazon through Audible and its new Romance Package subscription service stands to gain complete control over the Romance industry, and it doesn’t matter if it is hard copy, soft cover, or audio books now. What is clear however, is that audio books are not the next new trend everyone thinks they will be. In the long run, audio books will actually become yet another Kindle Unlimited, just another mechanism in the overall machine that is Amazon.

7. Single eBook Sales Are The Platform’s Fault

This may not seem like it impacts you as an author, but it does. When publishers talk about single copy eBook sales, they’re talking about a customer buying a lone book. Mark Coker correctly argues these type of sales will decrease, but for the wrong reason. He once again blames Kindle Unlimited, but is it ultimately Kindle Unlimited’s fault? I don’t think so. The blame once again belongs on authors, as authors have undercut prices and encouraged sites, like Smashwords, to run continuous sales. This is the sneaky little problem no one wants to talk about. Why does no one want to talk about it? Because it is a huge problem on platforms that exist outside Amazon.

How does a publisher compete with the giant that is Amazon? Well, many publishers have decided the solution is a site wide sale. This makes sense on the surface, as the sale seems to offset some of the bargains Amazon can afford to run continuously. Likewise, what customer doesn’t at least browse through the sale options? But, deep down, there is a cost to any sale ever put on by a website. Usually, websites put on sales when they want to incentivize the selling of a particular product. In other words, if a publisher ordered too many books, or perhaps wants to boost a book’s rankings, offer it at a discount. But, when sites don’t push a particular product, well, then they’re just begging for sales.

The begging that takes place during a sale always comes at a cost to the author. Don’t forget this. A sale requires a sale price, and that usually means a pay cut to an author. I’ve done this math multiple times. I know Smashwords doesn’t have the audience or customer base to pull the numbers to justify lowering a price. But to prove it, here’s an example. If I drop my $5.00 book price down to $2.50 for a Smashwords sale, Smashwords would need to sell roughly twice as many books to make it worth my while. You’re welcome to imagine this with new books (no incentive for customers to buy at sale price) or older books (your customer base probably already has the title and won’t buy enough to make up the sale difference), and see for yourself.

8. Platforms Will Become Less Significant

For authors, which platforms to publish to is an extremely important choice. Yes, this echoes the theme of taking side but it differs slightly in application. This year, I do see echoes of what others have said, the market is shrinking. Platforms are finding it harder and harder to compete against Amazon. Now, the positive side to this is that, for the most part, Taboo Erotica exists outside of Amazon. Readers obviously want the taboo content, their willing to pay good money for it, and they’re finding it on Lot’s Cave especially. But for sites like Smashwords and Excitica, there may come a time to decide if publishing taboo content along with their more mainstream content is the way to go. This is a delicate topic, and many authors don’t want to talk about it. But, if we’re honest, it’s extremely disconcerting. The platforms available to taboo content are shrinking rapidly.

But, in all fairness, it isn’t just taboo content. Sites like Apple, Scribd, and Kobo will all face a tough time against Amazon. Apple has one thing going with its iBooks, the prevalence of the .EPUB format. Many book lovers have found their favorite format, and it isn’t .MOBI (utilized by Amazon). For those not committed to one e-reader, the .EPUB format is a must (as it can be used across multiple platforms or devices). I know I’m not alone when I say I love using Apple products because of this very feature. But, I must also admit, I find it easier to install the Kindle App, and then just buy books right there and then. It’s tough to compete, even for Apple, with its embrace of authors and eBook lovers. Time will tell how well they weather the Amazon difficulties.

Sites like Kobo and Scribd though, I suspect, along with Mark Coker, that they will struggle, if not vanish completely. These sites have essentially killed off their customer base, or their ability to expand. Kobo in my mind has a name for not taking even borderline content. Scribd, if I even remember right, has a subscription service meant to still compete with that of Amazon. The business models are outdated, and one doesn’t have to be a genius to see that. How many authors have you heard selling well on Kobo? How about Scribd? Likewise, how many authors are having difficulties even uploading to platforms these days? Publishing platforms are going to find the decisions that didn’t matter before suddenly do, and by the time they realize it, my guess it will be too late.

9. Brand Recognition Will Start To Matter More

I know this sounds odd after all I’ve said, but I suspect this will become prevalent with time. As the market grows more competitive, big name recognition will become even more important. Readers are going to need a way to sort through the scams and crap books while still being able to get a good deal. How has this traditionally been handled in the past? Brand recognition. In some industries brand names have become synonymous with their product. Kleenex is the name of tissues, Coca-Cola is the name of soda, JELL-O is the name of gelatin. You get the point. These brands all became household names, whether we endorse how they did so or not. That is how the eBook industry will more than likely change this new year.

What’s important to realize is that brand recognition doesn’t have to come through a mainstream publisher. As an author, I utilize Lot’s Cave for this purpose. That’s why I now blog not on an author blog, but on the Lot’s Cave blog. I prefer to become recognizable through the Lot’s Cave brand. When people see the Lot’s Cave logo, they more than likely think ‘taboo incest erotica’. And, when that happens, I want them to think ‘Lily Weidner… father daughter incest’. This is what I have personally chosen to do, but I suspect more authors will eventually opt for a similar option. Romance authors for years flocked to the coveted title of ‘Harlequin Author’. Many Erotica authors used to covet the title of ‘Ellora’s Cave Author’, before the company went out of business.

Readers for their part used to buy books simply for the brand recognition. They took a chance on new authors because they trusted the brand. When an industry grows saturated, readers likewise look for those favored products. There’s a reason I smile when I see a Lot’s Cave book on the best seller list over at Smashwords, I know my title won’t be far behind. This is the secret success of taboo authors working together in large groups, everyone wins. Admittedly, it does take a bit of time to recognize this. I’ve been on both sides. There were times I grew jealous of others success, but I now look up to these authors. Authors that last for the long term understand this, and they embrace brands.

10. Writing What You Love Will Be Important

This is the note I wanted to wrap everything up with. I think writing what you love will be extremely important going into the new year. As industries become more and more competitive, having a motivation is extremely important. Personally, I can attest to this as an author. If you don’t follow my catalog, you may not know I predominately write short stories. This due to multiple factors, but one of them is that I simply enjoy writing shorter stories. Now, many people have told me not, as I won’t make enough money. But, those same people write three novels and then quit entirely. I don’t want to quit writing, so I might as well enjoy writing what I love. If you do want to make money, that’s fine, but maximize what you enjoy. That way, you’ll keep writing when it gets tough.

There are so many authors giving bad advice out to inexperienced authors. We all have to realize that everything is predicated on personal experience. The author giving advice, me included, have a personal experience that clouds judgement. A new author starting out probably doesn’t even know how to best articulate what they need advice on. Together, both have a responsibility to one another to bridge that gap. The best way I know how to do this though starts with determining what an author loves to write. So, I like writing raunchy more extreme father daughter incest titles, but it comes at a cost. I know my books probably will never appear on a best seller list in a mainstream paper. But, I’m also not looking for that kind of reward either.

No matter what the year brings, no matter how tough it gets, some authors simply feel the necessity of writing. I’m one of them, and I suspect many of the authors reading this do too. That’s what will keep the eBook industry thriving in some capacity. There are universally two main rules of writing, write a lot and read a lot. What many people fail to realize is that authors are also readers. How you, as an author, consume books, matters. How you, as a reader, write books, matters. Both of these concepts are two sides of the same coin. They are inseparable. Why though, do readers not have to be told to ‘read what you love’? Do you see the disconnect there yet? As an author, you need to write what you love. Do so, and this entire post, while relevant, won’t seem important to you later on down the road.

The Amazon eBook Market

Zipper Logo Image - ClearAuthored By: Samantha Zacharda
Marketing Director & Promotion
Published By: Lot’s Cave

Special Note: Lot’s Cave would like to add a special thank you to Lily Weidner for participating in the Amazon publishing experiment. The transparency required has been quite eye opening and insightful. Please check out Lily Weidner’s followup post as well, found here.


For the last year stories have abounded regarding authors getting rich with incomes of ten to a hundred thousand per month by writing short stories. Is this possible? How much can I really make?

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Ever since Amazon changed their Kindle Unlimited program, authors have been trying to gauge the eBook market. Authors, particularly those writing short stories (3,000-5,000 words) have started to wonder if the market will even support their shorts, or if a shift into longer works is necessary to earn an income. Doing some initial research, I found answers couldn’t have been more conflicting.

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Usually when conflicting answers exist, one finds in them a majority opinion. With enough backtracking the answer process becomes clear. In this case however, little data could be found with which to form a starting point. What I found is the entire industry consists conceptually of a clear divide most easily represented by factions we find in the initial Kindle Unlimited program (KU), and what authors have come to call the second Kindle Unlimited (KU2). Desperately wanting some numbers to work with however, I came up with a solution–I did a study of my own. The goal was to achieve $20.00 in profit.

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With help from a Lot’s Cave author, I was able to create a test designed to take advantage of Amazon’s large eBook market size. Since Amazon’s KU program had been designed for short stories and the new KU2 program is now desgined for longer works, contrasting income performance between the KU and KU2 programs could simulate what it would be like for a new author specializing in short stories starting out with their first book. As an added byproduct–which is what this is about–I would also learn what authors face when trying to sell their eBooks on Amazon. After spending a couple of days to form the rules of this research project, I came up with the following:

Rules for KU2 Publishing Experiment

  1. All stories are to be the minimum 3,000 words
  2. eBooks must be enrolled in KU2
  3. No additional marketing must take place
  4. Stories must have a common kink
  5. Prices start at $.99, and then after a week increase to $2.99
  6. At minimum, author should publish two books a week (9 titles a month)
  7. Titles should include subject matter metatags
  8. Covers must fit their target audience’s particular style
  9. After completing 9 titles, bundles must be published in varying forms
  10. Stories must emphasize romance with intense but short sex scenes

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First, an Amazon Author Page was created to begin the experiment. Starting our test off, progress seemed quite slow and uncertain. Week one saw a total of two sales and sixty-five page reads. Given Amazon’s current payout rate (.0005 a page) our author only made $1.02. To my surprise, discouragement over that insignificant amount was immensely high. Convincing the author to keep writing new titles wasn’t easy, but Amazon’s ninety day exclusivity trap helped. The author had already committed such a large investment to the test that persuading the author to continue for the remainder of the month was not difficult.

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Thankfully, week two saw somewhat better results. Significantly, this result could only be due to the price increase from $.99 to $2.99. Page reads increased while sales increased dramatically. Taking a quick look at the numbers, week two tripled the previous week’s results. Seven sales and two hundred and thirty-six page reads increased the week’s total to $3.61. While the author remained apprehensive, I could detect a little more eagerness to move forward into week three.

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To my dismay, the growth occurring in week three was quite minimal. Sales topped out for the week at nine purchases and page reads dropped to two hundred and ten. Thankfully, the author was still able to see an overall increase for the week’s profits at $4.17. By this point however, the author made it clear the process didn’t seem worth the effort. The author felt drained and expressed a feeling that writing wasn’t as enjoyable as it once had been.

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Finishing up the month, our author completed the nine titles. Able to take a break from writing, the author decided to release an additional four bundles created from bundling various combinations of the nine titles. Interestingly, week four’s breakdown is rather surprising. Out of thirteen sales, only one of them came from a bundle and there were one hundred and thirty-one page reads. For the final week, the author made $8.28.

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Summary of Author’s Income

  • Week 1: $1.02
  • Week 2: $3.61
  • Week 3: $4.17
  • Week 4: $8.28
  • Total Month: $17.08

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Before we examine the market figures, let’s examine what no other study gives… the author’s experience. Interestingly, our author became extremely discouraged. This occured despite nearly reaching the $20 personal income goal. What caused this? Well, the author felt the money didn’t merit the time and effort put into the process. Worse, the author began feeling readers didn’t enjoy the titles because some of them were no longer selling after the first week they were published.

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Moving onto the numbers, the first month performance of $17.08 is nothing to shy away from. In fact, the amount is actually quite impressive for a new author starting from scratch. We can see the growth potential, after all, because no marketing was involved. What’s important to note though, remains the fact the author felt the eBook titles were worth more. Dividing the author’s income by the number of books released ($17.08/13), we find the author only made around $1.31 per book published. Sadly, this is nothing considering the figures reflect an entire month.

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Worse, $1.31 per book title published isn’t even the right number when comparing income to actual sales. Lets look at the sheer number of eBooks the author sold. On the surface, we’re quick to assume the author sold thirty-one copies. However, we must calculate into this figure the number of page reads. With a total of six hundred and forty-two reads, we can figure out the real number of books this would be.

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Given the average page count (according to Amazon) was twenty pages per book, that would equal an additional thirty-two eBook sales (642 pages/20 = 32 books). With a grand total of sixty-three eBooks (32+31=63), the payout rate becomes $.27 per each book sold. Can anyone blame the author for feeling their title is worth more than twenty-seven cents? Even if the author only spent three hours working on the book, minimum wage would make them $21.75. Chances are the author spent more time writing their book than just three hours, but the statistics remain quite dismal. After nine titles, there’s a potential twenty-seven hour investment. At a minimum wage job, the author could have made $195.75.

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It’s interesting to note, there’s hope at the end of this bleak tunnel. The author that participated in our Amazon experiment also publishes novels with us at Lot’s Cave. These longer stories of 40,000 words each are priced out at $4.95 and distributed across multiple retail platforms. This fact allows us to compare the same amount of effort on longer titles, distributed across multiple websites. The results couldn’t be more eye opening.

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Taking the author’s latest eBook alone–written during the previous month, we find the sales for that month coming in at a total of sixteen eBooks sold. While that number may seem small in comparison to their Amazon sales, this book was able to be sold at the $4.95 price. Assuming these websites payout at a consistent rate of 70%, this author made $55.44. Keep in mind, this is one book. While it may not be minimum wage, it more than doubles what the author made on Amazon.

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Now it’s important to note that longer novels have a very unique distinction from short stories. Longer novels have staying power while sales on short titles drop off quite quickly. This means the most this author will ever make on Amazon from their titles is that initial $17.08. No future sales income can be expected. Yet this author’s longer novel will continue to earn sales for several years, adding to the $55.44 amount. While the author may have felt discouraged at their efforts from putting out nine titles, the author did not feel that way about publishing one full lenght novel with Lot’s Cave.

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While not every novel will sell sixteen titles a month, the opportunity cost to other authors following in these footsteps is important to consider. Amazon authors are invested in their shorts taking off immediately, if they fail to perfom, there’s no back catalog to make up the difference. If the worst happens and a novel does not take off however, consider having the benefit of having a back catalog that still sells alongside the future new release. In order to make the $17.08 Amazon monthly figure, an entire back catalog of multiple novels would only need to sell five titles. With a full month’s time span, five additional sales seems entirely reasonable. The back catalog becomes an almost guaranteed source of income the author can depend on. So, what happens if an author wants to go down this path and shy away from Amazon’s market?

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The very first thing an author should do if they wish to publish outside Amazon’s market is examine their short stories. Because of Amazon’s market size, we can see how many authors feel they run an output treadmill. This output treadmill has caused many authors to diminish the quality of their short stories. If this is the case, authors need to invest in revamping their stories. Before publishing elsewhere, consider doing a general read through for errors.

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After revamping the story, formatting remains the most important issue with eBooks coming from Amazon. For authors formatting their own books, reading up on the latest formatting requirements is a time consuming investment. This is a necessary investment however, one readers highly notice and value. Taking time to add the appropriate formatting can really set an eBook apart from the rest.

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Another important difference is pricing. Amazon authors choosing to list their eBooks on multiple websites often find pricing uncomfortable. When authors are accustomed to charging $.99, selling the same eBook later for $2.99 can be quite unnerving. With the new price point comes a new change for author’s accustomed to Amazon’s market, slow sales. Instead of selling a book every day, authors can wait two or three days before seeing a single book sell. The benefit of this however is the higher royalty rate balances out the sale’s rate.

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Lastly, any author looking to publish across multiple websites should factor in time. On Amazon, the results of sales is immediate with a sixty day lag period for payout. When authors choose to list books across multiple websites, this can be a significantly longer progress. Payouts have been known to range from a month to six months, or longer. Keeping this in mind will help authors looking for immediate results; sometimes authors just need to set a time length and stick to it beforehand.

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In closing, the Amazon experiment was a grand success. The marketing insight I gained for Lot’s Cave has been exceedingly helpful for both Lot’s Cave authors, and those coming in from Amazon. While each market has its own difficulties, it’s important to remember different systems work for different types of authors. The main thing to note however is this, authors can still make the same, if not more money, by skipping Amazon’s eBook market. There’s no need to feel trapped or held over a barrel.

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Submitting Your First Manuscript

As an author just starting out, it’s tough to know exactly what to do. You want to make a good first impression, but don’t know how or where to start. With today’s growing eBook market, finding advice everyone agrees with can be its own challenge. Lot’s Cave would like to help authors through the process of submitting their first manuscript. Many of our authors started out submitting their very first manuscript directly on our website, why? Because Lot’s Cave provided the resources. Since our company values author experience, Lot’s Cave would like to make submitting your first manuscript as painless as possible.

Research Where to Publish

When first starting out, it’s important to have a basic knowledge of where and what to submit. Not all publishers accept the same material, especially when dealing with erotic content. Doing a little research regarding your story, and potential publishers can save lots of time in the long run. Is your story too short for one publisher but not another? Does your content require a little polishing before submission? Is there a special format required for your manuscript? These questions can be answer with minimal digging on any publishing website. If you’re hoping to publish with Lot’s Cave directly, authors can find such information here: Submission Guidelines.

Summing Up Your Manuscript

Once you have a publisher in mind, start summing up your story. Before you start going through the metadata and manuscript process, know what you have. Making a list to go back to is always helpful. As a new author, it’s easy to get lost in fancy words or difficult requirements. Summing up your story’s information, while your mind isn’t spread out will be worth the time. If you’re unsure of what kind of information to include start with the following five items:

  1. Story Theme: Is your story Menage? Incest? BDSM? 
  2. Title Information: Does your story have a name yet?
  3. Brief Summary: What happens in your story?
  4. Length: Approximate word count?
  5. Cover Image: Do you have a cover? 

Fix The Gaps

At this point, it’s easy to feel unsure or have some parts of the list missing. When starting out, it’s extremely rare to have it all figured out. Try doing a brief search for more information. How have authors handled covers in the past? What categories seem to fit your story? Does your summary seem to work for you? Many times, these gaps can be figured out doing ten minutes of digging. While you may feel more unsure, you’ll still have something you can come back to later. Don’t settle for a blank space. You can find more information provided by Lot’s Cave here: Writing Tips & Advice.

Tackling Manuscript Submission

 After a basic summary of information, a completed story, and some brief research, you’re likely ready to begin the submission process. Today, many publishers have an online submission process similar to that of Lot’s Cave. During this first submission, it’s extremely easy to feel overwhelmed. Try not to feel overwhelmed by the entire form. Focus on one detail at a time, and before you know it, the form will be complete. Simply grab your story/manuscript, your summary information, and open the manuscript submission form.

 Tackling Manuscript Submission: Basic Author Information

Starting out, it’s important to feel accomplished fairly early. The likelihood of an author finishing their submission form is increased if the author starts out confident. To encourage this, we recommend providing your author information first. This information often includes: name, pen name (if using one), and email. That’s it, though providing such personal information can seem a little daunting. Taking that first step though is always the hardest.

Tackling Manuscript Submission: Basic Story Information

The next step in the submission process is going to require some of that summary information. Enter your book’s title, story length, and category information. From here, you’ll also want to provide a price for your future eBook. Often, this is done by considering the length of your story. Price ranges will vary site to site, but competitive market values should always be considered. If you’re unsure, publishers will often be happy to help recommend a price. For now, enter what you feel comfortable with. Once the basic information is entered, you’ll often find most of the form has been completed.

Tackling Manuscript Submission: Submitting Metadata

Metadata is a term that describes much of the information already on your summary sheet. Remember that plot summary? Well, you’re going to need it. As an author it’s important to provide that summary, or a book description. Even better, try to take your summary and turn it into a description using your category information. A combination of the two will help promote your story. When in doubt, stick to what feels right. If you feel your story’s summary provides better information, then go with that. Descriptions take time, and they’re not easy. If you’d like more information on descriptions, check out our information here: Writing A Great Description.

Tackling Manuscript Submission: A Brief Note About Keywords

Many publishers have started asking authors to provide a set of keywords. These may feel like a daunting task on the submission form. There’s an easy way to find keywords however, think of them as search terms. If you wanted to search for your book, what words would you use? Consider your category, description, and book title, what themes stand out to you? A list of keywords is essential information to provide, as it helps readers find your story! Don’t skip this information, you might find out it’s more important than you think.

Completing the Submission Process

After providing all the above information, all that’s left is to upload your story. Today, most publishers accept Word files. There might be some additional publisher specific information you need to provide, but otherwise you’ve completed your first manuscript! Allow the publisher time to get back to you. If a publisher has any questions, they’ll contact you. While many authors wait to submit their next manuscript, it’s not necessary. Try using the wait time to write your next book, or submit a new one. In the end, you’ll find your books published in no time!

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Short Stories, Novels, & Motivation

In today’s erotic eBook market, authors debate between writing short stories or going for longer novel length books. While both story lengths seem to appeal to various readers, authors want to know which style maximizes sales. In a rush to decide what sells better, I think authors have forgotten to take a step back. What we really need to be asking as authors is simple, what length is best for my personal writing style? Having made the transition myself, I thought I’d discuss what I found.

The Good Mother, by Gerry Maxwell

By: Gerry Maxwell

Write shorts to explore a genre or kink: When I first started writing, shorts were everything. Stories in the 3,000 – 5,000 word range were a perfect way to explore subject matter. Despite the decline in short story sales, shorts remain a viable option for authors. Considering a new kink? Try writing a short story first. Just starting out in your writing career? No problem, write plenty of shorts to get your name out there. Before defining yourself as an author, shorts are a great tool to make an impact while exploring various erotic subjects.

Behind the Glory Hole, by William Cooper

By: William Cooper

Novels point out writing flaws: One of the reasons I love writing novels now happens to be they point out my weaknesses. If you’re writing stories spanning only 3,000 words, odds are writing weaknesses won’t be apparent. Trust me, 40,000 words points out all the writing flaws an author has. If you’re looking to be a stronger writer, try a novel. Using words like that, just, and honestly, too much? By the end of a 40,000 word book, the habit will be obvious. Plus, you’ll get plenty of practice weeding these words out in the long run.

Big Sis, by Betty Beckett

By: Betty Beckett

Price points make a difference: If you’re looking for the most sale potential, novels are the way to go. For every single you sell, you’ll make double your money. On the other hand, shorts are great for authors looking to expand their catalog. Whether you have novels or shorts, only having one title decreases odds book will sell. Taking the time to have a variety of books to offer has a direct impact on sales potential. In the long run, an author can better choose to write shorts or novels based on personal preference.

A Twisted Web of Lust, by John E. Jay

By: John E. Jay

Time constraints don’t matter: Want to write a novel, but are afraid of the time investment? Don’t be, in reality it’s the same amount of writing. On average, authors of shorts write between 8 – 10 books a month. If these books are 5,000 words or more, authors are actually writing 40,000 words a month already. The investment for authors in the case of a novel is more long term, instead of eight short titles. Authors shouldn’t worry about if they do it, odds are they already have!

Indian Family Heat, by Vinod Nair

By: Vinod Nair

Ultimately, writing shorts and novels depends on personal preferences. As an author, I now prefer to write novels. Because I started out writing shorts however, shorts remain my favorite. If I have an extra day at the end of the month, I’ll write a short story. After writing a couple novels, I discovered my shorts improved. Novels may create better writers, shorts might be more practical. In either case, we need to examine what motivation drives us to write. The answer might surprise all of us.

Daddy's Mask, by Lily Weidner

By: Lily Weidner

How to Enhance Your eBook

Lot's Cave Logo Text


With so many authors trying to make a transition away from Amazon, there’s an apparent problem. The challenges many authors face remains rooted in the fact Amazon was a market of its own. There were facts, data, market techniques authors learned to navigate Amazon’s market. Sadly, authors are having to realize these techniques do not work outside of Amazon. Successful authors upload their books only to realize there’s no sales. If there are sales, authors become disappointed seeing their small profit. Many authors remarked that Amazon was, “an easy gold mine” one that has dried up paying out a potential half a cent a page. Taking a moment, authors will notice a few necessary techniques in the market outside of Amazon.

Amazon Means Cheap: Many authors have never made this association themselves, but Amazon eBooks have become cheap. With Amazon being seen as a, “potential gold mine,” many authors put up whatever they could to make a small fortune. This growing quantity of eBooks lowered prices below the standard $2.99 to a surprisingly low $.99 even bundles of 30 books were offered for this $.99 price. The eBooks readers got for their $.99 drove them to alternative sites like Smashwords. Readers that enjoy good quality eBooks would rather pay the $2.99 then settle for these bad quality $.99 eBooks. Because of this, today’s market is filled with readers that avoid Amazon looking books, and yes, they can tell. This means that if authors want to sell their eBooks on sites outside of Amazon, they need to shed their “Amazon identity” and present a better quality product.

Text Based Covers: These covers with full text are a sure way to turn off readers. There’s nothing more distracting than an image covered behind blocks of text. Covers are made to appeal readers, and initiate their interest. When all readers are left with is a blur behind bold often off colored neon text, that doesn’t say much about a book’s potential story. Some of the best selling books in the market today have one word titles. These intriguing titles combined with sexy cover images really excite the reader’s curiosity. Authors coming off of Amazon will find their block text covers will not appeal many readers. This directly impacts sales, leaving some authors to feel discouraged. The market has potential buyers, they just happen to know what they want. Text based covers are not what readers want.

Long Book Titles: Similar to the issue of text based covers are these long book titles. A book’s title should never take a full cover to display. Often, this problem arises because there’s too many keywords in the book’s name. This stems from Amazon having a weird way of using metadata or a book’s keywords. Authors could literally write anything in the keywords, and it’d have little to no effect. Outside of Amazon this issue doesn’t occur. Readers will find a book based on a catchy title, along with those keywords typed in the appropriate box. It’s painful to see good titles off Amazon drowned in layers upon layers of the book’s keywords. Readers are not accustomed to this on outside sites, and many associate this with lower quality eBooks now. If authors want to improve their book instantly just edit out these keywords from the book’s title.

Quality Cover Images: Now first off, I know not everyone is a cover artist or can afford to pay for covers. Amazon books however are well known for extremely lower end covers. These are covers using photos that are often quite frankly terrible. Often, these images will have very little to do with the book’s story at all. When the image does pertain to the story, it’s off colored, neon colored, out of focus, stretched, or even appears photoshopped. Put bluntly, these covers do not further a book’s sales. However, it’s worth noting these bad covers are better than some books with no cover images whatsoever. In the end, a book should have the best cover it can. Whether that means being creative with ideas, or just knowing how to put an average but good cover together. A well put together cover will sell an eBook, but a poor one will not.

Certain Kink Advertisement: Outside of Amazon’s market, there’s a realm devoted to the controversially kinky. While menage might be the highlight on Amazon, it’s standard elsewhere. Authors should note certain kinks are not in high demand outside of Amazon. This includes (with exceptions) Billionaire Romance, Alpha/Breeding, Menage, Tentacle/Monster Erotica, and Pseudo-Incest. While these categories in many instances will appeal to some readers, they aren’t the selling point authors think they are. Many times this has to do with the content Amazon excluded that outside sites allow. Pseudo-Incest can be replaced for outright Incest, Billionaire Romance can be BDSM, Monster Erotica often gets turned into Bestiality. The market can be quite different when listing kinks… in the keywords.

Pricing: The last change to note has to do with pricing. Many books on Amazon have become cheap to seemingly compete in the market. However, these lower prices actually harm books outside Amazon. Readers want to pay for good quality works. Authors often remark, “$2.99 was the going price, but it’s too much now” this is far from true. $2.99 is still the going rate for a short. Longer works can get as high as $5.95, but they have to be good quality. Remembering that price can communicate quality, authors will appreciate a reader’s willing to buy their properly priced works. Please take note, this does include bundles. Series books as a whole set should never be priced at $.99. Nor should books be given away free just to promote a series. These tactics worked mainly in the heyday of Pulp Fiction, but not anymore. Readers honestly associate a price with a book’s quality now.

While this post in no way should be taken as an end all fix all, it stands as a starting point. Authors who have shifted to an Amazon only focus and are now confused. They’ve forgotten what the market continues to be, though it’s only been a year. An author’s knowledge of the market continues to be a critical advantage. Taking a moment to fix a few of these changes will result in a better sales potential. Every author wants to succeed in the market today, and Lot’s Cave understands this. We hope this post might give a few authors a starting point. In time, authors can then learn the critical marketing information we’ve acquired as a company over the years. The Kindle Unlimited program’s fate may be uncertain, but that’s no reason to panic. Just take a deep breath, and try something new. It might not be so bad after all.

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Writing A Great Description

Author: Samantha ZachardaZipper Logo Image - Purple
Marketing Director & Promotion
Published By: Lot’s Cave


An Introduction To Descriptions 

At Lot’s Cave, we read eBook descriptions daily. When a writer submits their manuscripts, their description is often the first chance for an impression. While we’re the first to recognize it takes not only a great description, but a great title and cover to successfully sell an eBook, the description is often the first impression readers will have. On our blog, website, and social media promotions, what readers truly gravitate towards is the description. Knowing that readers’ choices are impacted by a good description, it’s important to write a great one. Writing a great description isn’t as easy as many authors would like however, and many writers struggle to make that first great impression. With that in mind, we’d like to share a few tips we’ve learned as a collective group of writers and publishers.

What Makes A Great Description?

Great descriptions entice the reader from the first word, and sell the book even before the last sentence. Think of a book’s description as a personal selling pitch for the book. A great description doesn’t just inform readers, it appeals to their curiosity and intrigues them. What truly sells a particular book is the description’s ability to push the reader into an action, ideally downloading a preview of the book or purchasing it outright. Composing a great description requires writers to take a step back, and look at their work critically. Summarizing an entire story into a short paragraph isn’t easy. WARNING: many authors unintentionally turn descriptions into a synopsis—and it’s tough to sell a book based on a synopsis. Book descriptions are critical; think of them as a never-ending self-promotion opportunity.

How Long Should An eBook Description Be?

Description lengths change depending on publishing company needs. Still, varying degrees of length are so minuscule one could almost dismiss the issue. Part of the problem stems from the fact that a great description is actually quite short. Authors grow accustomed to writing as often and as much as they wish, but readers don’t want a mini book description. Authors must realize the ideal description length runs about 400 characters including spaces—about 75 words. Since ideal descriptions only contain 75 words, authors must be extremely selective in what they say about their book. Personally, I find writing more, then editing down, most effectively accomplishes this goal. A great description remains short while enticing the reader into reading more… not less.

Which Approach Works Best For Erotica?

Writing descriptions for erotic eBooks is a little different than writing in other genres. A great erotic eBook description must be sexy, or at least sexually appealing. An author’s word choices convey varying degrees of sensuality. The key to selling books can be found in appealing to a reader’s sexual interest. In any genre there are always key phrases or words. Using these words in a way that highlights their appeal provides an easy transition for readers, making a great description. Most publishing companies like to see a stated category, subcategory, or search terms for a manuscript. Including these items in descriptions not only sell readers and communicate an author’s market awareness; they also help Internet search engines place your book at the top of search results. Yet, it goes unnoticed how romance readers judge desirability in Erotica not only by a captivating description, but also by the subcategories described.

What Should Great Descriptions Include?

Now knowing what goes into making a great description, it’s important to know the basic content. A great description establishes all a reader needs to know about the story’s plot. The main characters and the setting should usually be established no later than the second sentence. With that established, all else is based on the initial starting sentences. The description should contain a hook that grabs readers into the plot, while not giving away the story. Done correctly, revealing plot details results in initiating a feeling of momentum building up throughout the description. This momentum entices readers provided the content is presented successfully. Erotic descriptions should also feel sensual, or capture the story’s desired romantic appeal. Nothing decreases a reader’s interest more than good descriptions failing to capture the essence of their favorite genre.

How Do Descriptions Appeal To Readers?

For Erotica, the best way to capture a reader is through sexual appeal. Notice, Sirs, this is not the same thing as sexual content—or even sex in general. Even most male readers relate to the experience and emotions behind the initial sexual attraction. A great description captures what the author already knows, the reason behind the book’s story. If a reader can relate to the story before even reading a word of it, they’ll be more likely to buy it. Enticing a reader’s curiosity is always a good method as well. People are curious, especially when it comes to what drives sexual attraction, so why not use this advantage? A great description appeals to the reader in many forms, not just one—can you include a second hook?

Can We Dissect A Description?

Let’s look at a real book description so we can obtain a better understanding of how this process works. The Lot’s Cave novel titled ‘Forbidden Promise’ contains an interesting Uncle-Niece erotic incest story. While this example may not be an ideal description, it highlights all the desired information. Uncle-Niece incest is not a very popular genre for new authors to break into, yet this book sells well. One can only conclude this is because the description truly sells the book. Feel free to find this as an example to work from for your own template. In no way is this meant as the ‘end all-be all’ of solutions. The following description just happens to be the one most readily available for use:

“Rose has a problem. Since catching her father having sex, she can’t keep from wanting him. Dad is clueless about his daughter’s desire. His kinky love life has always been kept behind closed doors. When Dad’s brother comes to stay for the summer, her Uncle isn’t the only one who can satisfy her desire. A night of kinky sex with Uncle may just be enough for Dad to examine his thoughts on incest.”

Forbidden Promise, a Lot's Cave eBook, written by Lily Weidner

Forbidden Promise – by Lily Weidner

First Sentence

“Rose has a problem.”

The main character is established in this very short first sentence. However it fails to capture the reader’s curiosity right from the start. It’s not erotic even though it establishes the main character’s name and highlights an echo of the story’s plot. All the reader knows is that the character has a problem. The first sentence drives the reader to keep reading in order to figure out the main character’s complicating issue.

Drawing In The Reader

“Since catching her father having sex, she can’t keep from wanting him. Dad is clueless about his daughter’s desire. His kinky love life has always been kept behind closed doors.”

These three sentences propel the reader’s interest forward. Expanding on the first sentence, we begin learning more of the main character’s predicament. With the introduction of another character, we also start to see the sexual appeal of the story. Words like kinky, desire, sex, wanting, and closed doors, all initiate feelings of sexual curiosity or interest for the reader. At the same time, the words used will appeal to many different interests within the same market.

Setting

“When Dad’s brother comes to stay for the summer, her Uncle isn’t the only one who can satisfy her desire.”

This story’s particular setting isn’t obviously stated. The reader only knows it’s summertime, and the story most likely takes place in the family home. Again, the reader is driven forward by using enticing words. The introduction of another character can attract more readers with a change in the story’s appeal. Here, the reader starts to truly grasp the nature of the story. Notice however, detailing the main plot and setting takes only one sentence.

Closing Sentence

“A night of kinky sex with Uncle may just be enough for Dad to examine his thoughts on incest.”

Another hook in the last sentence captures the reader’s interest. The second hook builds on the reader’s interest and this prompts an outright purchase of the book. With the last sentence, we notice the conclusion to an even broader marketing process. What the description really does is propel the reader into an outright purchase of the book in order to discover the details. As a whole, the description accomplishes its desired goal, all in the span of 73 words.

How Can You Begin Writing Your Description?

The best way to start writing a description begins with the first thought coming to mind. Too many writers hesitate, causing them to lose their initial ideas. Remember, descriptions aren’t final until they’re sent out, and can always be edited down later. If a writer’s block-like difficulty occurs, simply begin making a list. Consider who the main characters are and determine a few keywords to draw in readers. Take a look at your initial keywords, and build hooks around them. If a writer’s block still occurs, read plenty of book descriptions for ideas, or even see new ways to format sentences into enticing hooks. If you’re unsure of where to start, remember, it’s okay to be a little lost or confused just start trying.

Already Have A Manuscript To Submit?

Lot’s Cave is dedicated to publishing material that most publishers would find too controversial. If you have a finished manuscript, we’d love to receive your submission. We have an easy five step submissions process! For us to receive your manuscript submit your story directly at our website here. Not quite ready yet to publish your manuscript, but have a few questions? No problem. Authors can always find more information directly at our website, or on our Writers Wanted page. Having problems or need clarification regarding our online manuscript uploader? Please feel free to contact Lot’s Cave directly with your questions here.