The Future of Taboo, Forbidden, Ultra-Smut, and Other Controversial Erotica

Will Incest Erotica Survive the Purge?

A short time ago the Lot’s Cave Newsletter published its thoughts about the future of controversial erotica on Smashwords. Mark Coker, the CEO of Smashwords responded by fiercely denying any censorship. (See back issues online for the transcripts). Today, Smashwords is stepping up its efforts to silence taboo and controversial erotica. It’s not your imagination; it’s happening right now. Smashwords just banned a number of hard core eBooks this last month, essentially wiping them off the Internet if not for Lot’s Cave. The rest of all erotica authors are supposed to think that’s okay because of rude subject matter. The latest victims consist of authors who write non-consent erotica.

Censors of rape and non-consent erotica assume all sexual violence committed is done by men and that men are by nature sexually violent to women. It has been proven time and again that it is women who most enjoy rape fantasy’s and rape erotica. Indeed, at Lot’s Cave, nearly all rape erotica is purchased by women. Censoring rape erotica actually hinders conversations regarding sexual fantasies and sexual responsibility. Hindering such conversations are actually detrimental to women’s health and sexually open relationships and reinforces the concept that women can only be victims. Does banning rape erotica reinforce toxic adherence to certain strictly enforced gender roles?

You are not delusional in thinking publishing platforms like Smashwords are discriminating against UltraSmut Authors and that they are gaslighting us by claiming ‘no policies have changed; they are just enforcing existing policies under stricter new criteria.’ Hey, we call that a policy change! When caught silencing controversial authors. The chilling effect that occurs every time a new round of “enhancements” is that it keeps most erotica authors far from the boundaries; it keeps them from writing anything that might be controversial in any way for any reason. Because these policy rules are largely unwritten, constantly evolving, being made up all the time, and enforcement is changing, they make a mockery of the concept of a self-publishing platform where all authors are treated equally and that book readers/buyers do not know what they want to read.

First Amazon, then Barnes & Noble, and now Smashwords are controlling the direction the entire publishing market, defining exactly what erotica consumers are allowed to read. If you control the terms, then you can control the outcome of social direction. UltraSmut authors are ignoring this at peril. You will lose every publishing platform going forward, including Lot’s Cave, if authors do not put a stop to this. Some ill-informed authors might agree with Publishing Platform claims that this is just “competition” this is just “free market”; if you do not like Amazon, if you do not like Smashwords, go make your own publishing platform. These authors have never started their own companies and don’t know what it means to start a business. These companies, including Smashwords now, have all built themselves up to the point of monopoly power on the back of protectionist government regulations.

Small companies like Lot’s Cave need large companies like Smashwords to plow the path ahead, without which it’s difficult to survive. We desperately want and need Smashwords to provide taboo authors an uncensored publishing platform. If Smashwords caves in to the vocal few complainers and discontinues publishing ultra-smut, it will make life extremely difficult for us by requiring Lot’s Cave to justify its existence.

Now that Smashwords has ‘arrived’; and in doing so, joined the ranks of all major publishing platforms in crowding out the last bastions of controversial erotica, they are changing the rules on us. On Sept 15, 2017 Smashwords published a table on their blog stating that ‘“rape for titillation” was allowed but discouraged and they would retain the right of refusal—but never provided any discernable “discouraging enforcement”’. Suddenly with no warning they are simply snuffing out authors completely and removing other titles this month. Yes, it’s true they are snuffing out authors and titles from authors that you and I do not necessarily hang out with, read, or enjoy; that’s not the point. They are testing the waters: so nobody protested when it was rape erotica, pretty soon it will be authors and content that are closer to what you and I enjoy writing. Remember a few months back when Mark Coker wrote to Lot’s Cave that “And FWIW, dubcon is considered taboo”?

With Smashwords and Lot’s Cave remaining as the two main platforms for publishing taboo erotica, we want to take a moment to ask some tough questions. The market has changed dramatically, both in what content authors are providing and how stores respond to customer feedback. Examining how to best maximize these market trends is vital… but so is paying attention to the established rules.

Lot’s Cave originally raised its concern when Smashwords implemented a new classification system for content deemed controversial. At the time, Mark Coker stressed the importance of doing so stating:

“Our new approach empowers those who know their content best – the author or publisher – to directly categorize and certify the erotic themes of their books. This will give our sales channels greater confidence to receive the erotica they want while avoiding the titles they don’t want.

The new Smashwords classification system is built on trust. We trust our authors and publishers to accurately categorize their books, and we trust they recognize it’s in their best interest to do so. As is our practice, we will continue to monitor all Smashwords titles for compliance with the Smashwords Terms of Service. Those who jeopardize this trust through deliberate misclassification will face account closure.”

Note here that Mark Coker stresses trusting authors to know and mark their content accordingly while also claiming that doing so is in their best interest. But is it really? What is Smashwords really incentivizing authors to produce? The answer isn’t clear cut. And in this murky water, how is an author to know what is in the mind of Smashwords? Failure to know the mind of Smashwords in defining the meaning of “allowed but discouraged” means being cut off altogether.

Smashwords has gone to great efforts to define the content it deems controversial, and to their credit, they actively attempt to make the process easy for authors. However, there are quite a few problems in their current definitions. We want to take an honest look at these definitions, what they encourage authors to do, and how publish platforms treat such controversial content as a whole. As authors, it is always important to take into account the climate of public opinion, as we soon shall find out.

As mentioned previously, Smashwords makes is extremely easy to look up their content requirements and definitions. There’s the blog post discussing content, and their Terms of Service. In short, here are the definitions of content deemed necessary of further classification:

Age play – One or more consenting adult characters role playing, pretending to be babies or children. Most retailers will take this, but iBooks will not.

Bestiality – Sexual relations between humans and real-world animals (sex with Big Foot, dinosaurs, shape shifters and other imaginary creatures is not bestiality). Few retailers will take this.

Dubious Consent (dubcon) – A common and popular theme in mainstream fiction. Dubcon explores the gray area between consent and non-consent. Not clear if the receiver of the sexual act was fully on board or not at the time of the act. Most retailers will take this.

Incest or pseudo-incest – Sexual relations between family members, whether biologically or non-biologically related. Includes stepbrother, stepsister and step-anyone. Few retailers will take this.

Nonconsensual sexual slavery – Erotic depiction of a person captured or held against their will, such as kidnapping, imprisonment or human trafficking. Not to be confused with BDSM, which is predicated upon informed consent and negotiation between both parties before the act, and which provides safe words so either partner can end the act if it goes too far. If the book adheres to BDSM best practices, do not classify it as Nonconsensual sexual slavery. Few retailers will take nonconsensual sexual slavery.

Rape for titillation – The dominant theme of this book is rape — whether the rape is by one person or a character is raped by a group of people, i.e. a gang rape or nonconsensual “gang bang” — and it targets readers who are titillated by the fantasy of nonconsensual sexual relations. Few retailers will take this.

Out of these, Smashwords says that most retailers will accept Age Play and Dubious Consent (Dubcon). But what about Smashwords itself? Isn’t that what we really care about? Smashwords provides a graph in the blog post that says they will take Age Play, Bestiality, Dubious Consent, and Incest. What they will take but highly discourage is listed as Rape for Titillation and Nonconsensual Sexual Slavery. This shouldn’t be too shocking to authors, but things quickly get confusing. You see, if one wishes to double check this information in Smashwords’ Terms of Service, one finds vastly different information. According to Smashwords ‘Terms of Service’ under section 9f, we find the following information:

“Barely legal” erotica is strongly discouraged, and is subject to additional review and may be removed without notice at the sole determination of Smashwords, especially if characters are in situations – or have mannerisms – that suggest that the characters are actually underage.

Rape erotica and sexual slavery erotica, where the predominant theme is rape violence for titillation, is strongly discouraged, and is subject to additional review and may be removed at the sole determination of Smashwords. Note that erotic BDSM fiction that adheres to BDSM best practices, where all role-playing is consensual with safe words, is allowed and not to be confused with rape or sexual slavery erotica.

Bestiality erotica is allowed but not encouraged. A one-off title is more likely to be acceptable than if a publisher is publishing dozens or hundreds of such titles. At Smashwords discretion, such content may be removed or accounts closed.

Incest and pseudo-incest (sexual relations among non-biologically related relatives and siblings) erotica is allowed, but it will be blocked by most retailers and library aggregators.

Confused yet? Well, if not, why don’t we just go ahead and point out the immense problems here. The first glaringly obvious issue is the number of controversial categories we’re dealing with has changed. Do you notice Dubious Consent anywhere under Section 9f? It’s missing. Dubious Consent is not discussed anywhere in Section 9f. Not only that, but some of the category information has been changed. Note, for example, that Rape for Titillation and Sexual Slavery Erotica are now under the same exact category. There is also no Age Play, but if we assume a bit here, Barely Legal has taken its place. Also, what is encouraged and discouraged content has changed as well. The blog post originally said Smashwords took, but discouraged Rape for Titillation and Nonconsensual Sexual Slavery. But now, Smashwords has said it also discourages Barely Legal, Bestiality, and that original category of Rape for Titillation with the Sexual Slavery tacked onto it. But let’s take another look at Section 9f’s wording with a bit of emphasis…

“Barely legal” erotica is strongly discouraged, and is subject to additional review and may be removed without notice at the sole determination of Smashwords, especially if characters are in situations – or have mannerisms – that suggest that the characters are actually underage.

Rape erotica and sexual slavery erotica, where the predominant theme is rape violence for titillation, is strongly discouraged, and is subject to additional review and may be removed at the sole determination of Smashwords. Note that erotic BDSM fiction that adheres to BDSM best practices, where all role-playing is consensual with safe words, is allowed and not to be confused with rape or sexual slavery erotica.

Bestiality erotica is allowed but not encouraged. A one-off title is more likely to be acceptable than if a publisher is publishing dozens or hundreds of such titles. At Smashwords discretion, such content may be removed or accounts closed.

Incest and pseudo-incest (sexual relations among non-biologically related relatives and siblings) erotica is allowed, but it will be blocked by most retailers and library aggregators.

What is the difference between strongly discouraged and may be removed without notice and strongly discouraged and may be removed, besides a notification? Furthermore, what is the difference between strongly discouraged and allowed but not encouraged? Anyone? Would we be terribly in the wrong to think all is not as it appears to be? The fact of the matter is the language used within Section 9f is highly suspect. Not to mention, the language is extremely negative, just look again at the Incest category, “Incest Erotica is allowed, but it will be blocked by most retailers and library aggregators.” And that brings us to a very important point.

Remember when we said Smashwords’ definitions will impact what an author does, either intentionally or unintentionally? Well that’s the problem with wording with Section 9f. Smashwords is actually falling into a pit of problems, finding itself trapped in being both a publishing platform AND a distributor. They run their store and have their own content guidelines, but so do the platforms they distribute to. But the language quoted above is actually quite telling. Smashwords is encouraging authors to produce content that is highly distributable, and that can’t be articulated with set definitions. This is why there are glaringly obvious difficulties with the classification system among many others. But why is Smashwords encouraging highly distributable books, especially if we assume no ill intent toward controversial content?

The answer, if we’re allowed to speculate, is simply public opinion. While it might be a difficult subject for many, public opinion has a large and heavy influence on controversial content. After all, how does one even get controversial content without others finding it controversial? Smashwords, being the large platform that it is, has to walk to the tight rope between both allowing controversial content and keeping public opinion happy. This is not an easy undertaking in the least! And somehow, Smashwords’ actions are leaning more and more in favor of those who dislike controversial content… and they might not even realize it!

In short, controversial content becomes censored not because of orchestrated bans, but a dwindling ability and incentive to publish and sell such content. With the diminished platforms, it becomes more and more difficult for authors writing such content to make a living. But, on the more insidious side, it also allows public outcries against publishers that blaze a trail and continue to allow controversial content where others failed to. Smashwords, we assume, still very much wishes to be a platform for everyone. However, if that is the wish, it needs to better articulate their terms. Separation between what is able to be distributed and what the storefront will publish is a key step. Allow authors to help. This isn’t about trusting authors, but authors trusting Smashwords. The winds have changed, and with the change in winds comes a new need, the need to be upfront and honest about what content is or is not acceptable.

Again, part of this also gets down to being honest about defined content. Are Age Play and Barely Legal the same thing? What does Barely Legal mean, and why is it a problem? How many titles per catalog are authors allowed if they write Bestiality or Non-Consent? Does the intensity of the rape scenes matter in defining what is Dubious Consent or Rape for Titillation? Many of these questions are often determined by public opinion. For example, violence toward women is often linked to Rape for Titillation in the first often called out by more sensitive readers. One must always be mindful of promoting violence towards women. Sound familiar? Well, what about blackmail? Is sexual blackmail, especially without any violence whatsoever, Rape for Titillation? Authors are begging to know! And that leads me to my last point, that of proper categorization.

Properly categorizing content isn’t just on the author’s end of responsibility. Smashwords also has to recognize and rely on the filters in place. Given that authors are trusted to properly categorize their content and flag controversial subject matter, what is wrong with Smashwords’ own filters for customers? Right now, there are three filter settings available to customers. The first of these is outright exclusionary to erotic content. The second filter setting is one that allows only mainstream erotica. Lastly, we have the filter that allows all erotic content; or a controversial filter as it were. What is wrong with this? If Smashwords were to trust authors to truly label their content, and there are filters in place for the customer, does public opinion really matter?

Odds are the public opinion won’t matter as much as you may first think it does. And that’s really the heart of the issue. Does Smashwords really trust its customers and authors? We hope they do, because if not, there’s going to be very difficult standards to comply with in the future. As a distributor to Smashwords for our authors, we want to be in full compliance. We want to be the trusted source specializing in controversial content that continues thriving in an erotica market that allows for said boundary pushing content.

The FOSTA & How It Impacts Authors

To prevent sex trafficking the House of Representatives and the U.S. Senate worked together in passing updates to the Fight Online Sex Trafficking Act (FOSTA). Instead, FOSTA shut down of Furry dating sites, Reddit forums, and the Craigslist’s Personals section. Other forums are removing link materials to intended to assist new authors writing erotic content. Worse yet, a great number of people now question the impact FOSTA will have on sex workers. Yes, there’s even a hashtag to raise awareness for those impacted by FOSTA. Clearly, authors writing controversial subjects need to take note of this issue.

Authors are already panicking over the new updates to FOSTA. This is to be expected, especially given how many authors still remember the impact of Operation Choke Point. For those who recall the tough government sponsored crackdown, the collateral damage surrounding efforts to stop sex trafficking is nothing new. Ironically, the first victim’s of Operation Choke Point were those same sex workers now advocating for raised awareness in dealing with FOSTA. The crackdown didn’t just impact sex workers, but websites like Lot’s Cave and our authors as well by causing credit card processors to drop us. While most businesses accepted Operation Choke Point, Backpage resisted. Smashwords was in the forefront of erotic authors resistance. Today, many are arguing it is for these reasons that the updates to FOSTA were put in place.

Backpage’s defense against Operation Choke Point lay in Section 230 of the Communications Decency Act. This protection stated, “No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.” Basically, the government couldn’t hold Backpage responsible for what users of their website published from outside sources. To many, this was a legal loophole that must be closed. The updates to FOSTA do just that, standing to hold websites responsible for what users of the website publish or post. FOSTA attempts to hold websites responsible for facilitating, or making it easier, for sex traffickers to thrive.

The impact on websites like Reddit and Craigslist is easy to see. Users generating posts or content that advertises sex trafficking or its victims could easily fall into the facilitation category. What is murky however, is the role Erotica ebooks and even some Romances play in the new FOSTA regulations. It is worth noting that FOSTA overwhelmingly punishes sex workers, or platforms that can easily be abused in favor of sex trafficking. What was once safe, when abused, becomes a means or platform to do the most harm. The catch-22 situation is not as easy as legislation would like it to be.

For authors of controversial content however, there’s a fine line to walk. It’s always advisable to purchase boundary pushing photo stock from credible photo stock sites like Depositphotos or Bigstock. Controversial stories are arguably safe to publish, but that doesn’t mean platforms to do so will be plentiful. It would be difficult to assert that a story featuring controversial content facilitates sex trafficking, but that doesn’t mean people won’t make that very argument. After all, there’s always been some debate surrounding non-consent and dubious consent books, along with the ever popular BDSM titles. What was once popular, may now find itself the source of hot debate.

But do authors need to protect themselves? Not really. What is there to protect? Either your book promotes (or facilitates) sex trafficking, or it doesn’t. There doesn’t even need to be a debate surrounding the nature of free speech. While it is possible to do so, it just seems quite unnecessary. Authors don’t need to be THAT concerned about the updates to FOSTA. This opportunity though is a great reminder that the quality of your book and its content matters a great deal. Authors might consider what public good does the story contain, and write in some ‘moral to the story’ end note paragraph. This is ultimately what we would encourage our authors to consider in the wake of FOSTA. The better the quality and content of your book, the better your chances are of not having an issue with FOSTA.

When authors consider the packaging of their product, certain messages get across to potential buyers. Telling readers your book is erotic, helps to deal with the negativity surrounding the issue for those who dislike such content to begin with. A little bit of class also goes a long way to smoothing over some residual tension. Titles like, “Sex Trafficking My Hot Daughter!” probably aren’t a good idea. For authors writing dubious consent or non-consent themes, consider your titles a bit more carefully. While “Sex Trafficking My Hot Daughter!” probably isn’t a workable title, “Seducing My Slutty Daughter” is. Along with that, properly categorizing your book is even more essential. If there’s a dub-con or non-con category and it fits your book… use it!

The Lot’s Cave analysis of the FOSTA update is that its intention is to prevent and/or stop the facilitation of sex trafficking on websites mainly through advertising and eventual sale of sex trafficking victims. In no way would an erotic book do this. The FOSTA update stresses the act of actual sale, or conspiracy to facilitate a sale by way of advertising. Our platform on Lot’s Cave cannot do this, and as such, works as a preventative measure. In no way does our website endorse or encourage sex trafficking. Many of our authors will also discover their publishing platforms likewise do not find themselves in violation of FOSTA. Overall, our analysis is that FOSTA is difficult to violate as it is currently written, unless you are in fact, knowingly or intentionally, violating U.S. laws already.

In closing, it’s always a great idea to remember that fallout with controversial content is inevitable. At times, it is easy to get carried away though. Not every government crackdown is out to get us. Those pursuing new laws can get a bit overzealous, and with time, it will be sorted out. Until then, understanding FOSTA and what it intends to prohibit helps. Ensuring that your book doesn’t provoke such sensibilities is often the correct choice, and makes it all a little easier to do business. Lot’s Cave encourages all of our authors to consider quality, and the foot you put forward to the customer. At times, your customers can be your best resource… and friend.


Please Note: This post is purely opinion and should in no way be considered legal advice. You are responsible for any action taken on this advice and resume sole responsibility. Lot’s Cave, Inc. will not be held liable.

The Axiom of Quality, Price, & Time

We’ve been getting feedback from our Top 10 Predictions For Taboo Authors In 2018. One response though, really stood out to us. Why? Because it was from one of our authors, Gerry Maxwell. We thought his observations were worth highlighting, so we asked for his permission to share them with all of you!

“Your analyses also remind me of the axiom in marketing: You can market on the basis of only three elements — quality, price and time – but you can only market on the basis of two at a time. In e-book publishing/distribution, nobody can compete on time. Everybody has to make the book immediately available for download or you’ll lose the sale. Which means all competition has to be based on quality and price, meaning either low quality/lower price, or high quality/higher price. A business based on low quality/higher price or high quality/lower price would not be sustainable.”

Lot’s Cave thought Gerry Maxwell’s comments were so pertinent, we created an entire post around it and highlighted five important points from Gerry Maxwell’s insights. Lot’s Cave would like to start by saying thanks to him for the opportunity to do so.

Five Highlights From Gery Maxwell’s E-Mail On Marketing

1. You Can Only Select Two Items From The Combination Of Price, Quality, Or Time

Gerry Maxwell’s comment on the self-publishing industry is essential, so essential that it bears repeating. You can only have two of the three options, quality, price, or time. What’s interesting to note is that one of these variables is always fixed. In other words, it’s the one of these three variables you can do absolutely nothing about, leaving you with a choice between the other two. This then, is what determines your actual choices. You let one slide in favor of the other. Confused yet? I promise it’ll get easier in a moment. The marketing axiom of quality, price, and time actually shapes entire industries in impactful but seemingly unimportant ways. Take for example, traditionally published books.

The market of traditional publishing is rife with debate at the moment. Some feel their books are priced too high, while others feel the time between books is a bit cumbersome. Why is that? Well, it has everything to do with the market axiom Gerry Maxwell mentioned. In traditional publishing the fixed variable is quality. No one can essentially change the quality of what you get. Every Anne Rice, Stephen King, or Dan Brown book will have the same quality of printing, at least it’s supposed to. What this means is that the price you pay or the time it takes to publish is variable. The complaints you hear are customers who feel the ‘sacrificed’ variable was the wrong one.

This ‘sacrificed’ variable, in a way, is actually what created the e-book industry, or at least allowed for it. That is why Gerry Maxwell is correct when he says, “In e-book publishing/distribution, nobody can compete on time.” In this case, time is the fixed variable. Why is time the fixed variable? Well, probably because traditional publishers ‘took too long’ and the e-book industry grew to fill the gap. Suddenly readers could get books where quality or price were the fluctuating variables… and that changed everything. Readers can now observe the drastic change in the market axiom emphasis.

2. Pre-Sale Doesn’t Work In Self-Publishing… Especially For Erotica

Alright, this one took us three readings of Gerry Maxwell’s comments to piece together. It’s not that difficult once you see it, but getting to the conclusion can seem a bit overwhelming. Pre-sales are actually a big deal in the e-book industry right now. The option is said to be a great marketing strategy, and authors are highly encouraged to utilize pre-sales. But, when Gerry Maxwell says, “Everybody has to make the book immediately available for download or you’ll lose the sale.” he means it. This logic has a great impact on pre-sales and if an author should utilize them at all. Under a marketing lens, pre-sales don’t actually seem to hold much value for the vast majority of authors.

Customers looking at e-books want the book immediately, and this is the ultimate flaw of pre-sales. This is especially true when it comes to Erotica, no one wants to wait for their e-book. Quite honestly, who can really blame them? Pre-sales only put distance between a reader and the sale. All momentum, all interest generated up to the point of ‘pre-sale’ is lost when the reader chooses to get another book… because it is available the instant they want it. In fact, it is fair to say that pre-sales don’t really favor the reader, but the author. The marketing strategy behind this is clearly to boost a book’s rankings the day of release, and therefore, a somewhat arguable disservice to readers.

But why then are pre-sales the hot marketing strategy? Because they work for traditional publishers. There’s no real way to sugar coat this, so we won’t try to. Pre-sales work when you have an established readership and a stabilized and steady publishing schedule. Loyal readers will then be more likely to purchase the new book on pre-sale, probably so they don’t forget. But, this strategy is almost exclusively successful to those authors of some notoriety. It’s not really a matter of if the reader will purchase the book, but how and when. The pre-sale captures that reader and makes the sale before they forget to spend their money. But when it comes to Erotica… it’s not very helpful… exactly because of that time variable being fixed.

3. High Quality Lower Price Is Not Sustainable

At Lot’s Cave, we see authors striving to implement the strategy of high quality at a low price quite often. It is always surprising to us, because we don’t understand the thought behind the submission. Many authors at the moment seem to think that high quality and lower price is the way to go. To them it is a ‘marketing strategy’, and the best one at that. Many publishers would say they don’t judge an author’s marketing strategy, but at Lot’s Cave, we do have some concerns. When authors utilize failed strategies, we believe it is a disservice at the very least not to inform them of the fact. High quality lower price is not sustainable for many reasons, but we can share an example that is well-known by many in the industry. In fact, it is the problem we see going on right now.

Authors spend much of their time writing full length novels, roughly between 45,000 – 60,000 words. For this, the market price at the moment is typically about $4.95. Some authors believe a good marketing strategy is to price that book at $3.99, or even $2.99, roughly between 20% – 40% off in a misguided effort to outsell competition. But, very few authors tend to calculate the costs of doing so. We’ve done that, and we’ve discussed it many times. We also notice that very few authors look at where their books are competing as well. If you were to take a look at the top selling books in the $3.99 price point, the average word count is between 10,000 – 20,000. That means, when you write a 40,000 word book and sell it in that range… you’re undercutting your efforts. You could literally write two books (both high quality) and still make the same amount of money.

The distinction here is important, because many authors feel they have to sacrifice that quality variable. To them, writing shorter works automatically means a drop in quality. But that’s not true, or at least, it shouldn’t be. Lot’s Cave isn’t actually recommending you write shorter stories either, quite the opposite actually. What we are saying is that you should charge the correct price for your books. If the market rate is $4.95, there’s a good reason for that. The moment you decide to lower your price and call that alone your strategy… there’s an issue. Just like you can’t sustain writing 45,000 word books for $3.99, you can’t sustain writing 1,500 word books for $4.95 either. There’s a reason that it goes both ways, and that, is precisely the marketing axiom we’re talking about.

4. Lower Price Means Lower Quality

Again, this is another point we see playing out at Lot’s Cave quite often. Gerry Maxwell mentions, “All competition has to be based on quality and price, meaning either low quality/lower price or high quality/higher price.” The distinction here is really important because it gives insight into the minds of readers. If we accept that authors are competing on the terms of high quality/higher price or low quality/lower price, then we must accept that low quality and lower price go hand in hand. As we mentioned above, high quality/lower price simply isn’t sustainable. Because of that, we can get a glimpse at the implications of trying to put a book on continuous sale or a flat out lower price than is reasonable. Your book is going to shout low quality, and you may not intend it to.

Lets be honest, there is some place in the market for low quality/lower price books. But, do you really want to write for that niche? We suspect many authors bothering to read this post don’t want to be known as the ‘low quality writer’. With that out of the way, we then have to proceed with a bit of caution. Many authors don’t intend for their books to be low quality. In fact, many books in the lower price ranges are surprisingly good quality. But, that is the inherent problem. Authors competing in the lower priced ranges are automatically assumed to be low quality writers. How then do authors writing shorter works fix this issue, especially if it is what they enjoy writing most?

Well, we’ve discovered that many authors of shorter works have had success bundling their stories. Now, to be clear, we do not mean releasing singles AND bundling. No, we mean authors who release COLLECTIONS of their shorter works and nothing else. Why would an author do this? Well, it’s actually a core example of the marketing axiom playing out in practice. Time is fixed, so the only thing to fluctuate is either price or quality. Given the author wants that great quality story, then price must fluctuate. The author has chosen to charge more for the bundle than lower price for individual stories. The benefit though, is that now readers will see high quality/higher price and not low quality/lower price. Which would you buy?

5. High Quality Higher Price Means Different Things To Different People

Lot’s Cave has taken a lot of heat for stressing a high quality/higher price strategy over the years, and that’s okay. One of the biggest reasons for such a diversity in opinions is actually that high quality higher price looks different to different people. We welcome this debate because it makes our authors stronger wiser authors. In the intense debate, Lot’s Cave has come to learn that many people view high quality to mean long word count. Which, to be fair, is kind of the side we’re on too. But, every once in a great while, we have an author prove us wrong. Usually, this means a book actually falls into the low quality higher price model, but not always. At times there’s actually a disconnect between a book’s packaging and what’s inside.

For example, Lot’s Cave gets books where the kinks inside the book don’t cohesively work with the title. In this case, the writing is great, the cover art is amazing, and the metadata is all good… but the reader doesn’t get what they expected. This is a high quality story and the right price (higher price), but the reader will be unhappy. In another case, a story might be written okay, have an average cover, and metadata that needs a little polishing but is otherwise okay. To the reader, this book is actually better than the one that didn’t satisfy their expectations. For many readers, the high quality/higher price book their happy with is actually detestable to many authors. Obviously, there needs to be a greater sense of awareness when discussing what high quality means.

The most important thing regarding a book’s quality will always be its ability to satisfy readers. This is why some authors don’t make good judges of a book’s quality. We’re too attached to things like market axioms. But, for the most part, a taboo erotica author should still strive for that sweet spot, that high quality/higher price output. The great thing about this goal is that it is shaped to your niche of the market. You can write short stories and hit it. You can write novels and hit it. You can even write anything in between and hit it. But what is at the center is the idea, the axiom of time, quality, and price. Being able to articulate your strategy is the first step to having one… and that is invaluable. That’s what’s so important about Gerry Maxwell’s comment, at the core, it shows every author how to sustain themselves, their output, and enjoy writing all that much more.

Taboo Data of Note

Last year, we decided to highlight noteworthy taboo themes. These were the categories specifically targeted by aggregators in the recent content restrictions. This year, Lot’s Cave would like to expand the way you look at taboo themes. For authors writing the taboo content readers want, there’s very little information out there. How do you predict what your customers will realistically want? Is there a way to best market your story regardless? These questions do indeed have answers, answers that are surprisingly simple. The best place to currently look for data regarding the taboo is… Pornhub.

10 Noteworthy Trends From Pornhub’s Year In Review

1. Top Categories Are Clear For Taboo Authors

If you take a look at the Pornhub survey, the top categories, overall, are quite clear. These consist of Lesbian, MILF, Ebony, Hentai, Japanese, Anal, Mature, Big Tits, Threesome,  and Big Dick. What do these top ten categories tell us? Well, quite a bit actually. If you’re writing taboo themes, your best bet is a Mother pairing of some sort. This is where it gets less clear. Who should your Mature Older Woman MILF be pairing with? The best options according to just these categories seem to be a daughter/younger woman, son/younger man, or a combination of the two! Also, take note, the more well-endowed or curvy your characters are… the better!

2. Sub-Categories Are Less Clear But Manageable

Added to the main categories are, of course, sub-categories. These turned out to be Cuckold, Japanese, Indian, Cosplay, Korean, Transgender, Creampie, Gangbang, French and Cartoon. Out of this odd assortment of options, we start to notice a few worthy kinks to work into the taboo content of our stories. Some of these sub-categories will depend on the overall category you choose, naturally. However, some kinks are also easily worked into an overall story idea. Consider the Cuckolding niche, again, with that main MILF/Mom category. How easy would it be to cuckold the husband or even son with the daughter or sister? This, when done correctly, can make your story appealing to multiple customer bases.

3. Consider Your Customer Base By Gender

Above all else, gender plays a large role in what kinks a person searches out. In terms of the data, women are more likely to search for Lesbian, Threesome, or Rough Sex categories. Men on the other hand are more likely to search for Mom, Sister, or Lesbian. Clearly the Lesbian kink is a crossover niche, but in terms of men, the numbers are vastly skewed. The number of men that enjoy the Lesbian kink are similar to the number of men that enjoy the Anal niche. This means that, if you’re writing Lesbian kinks, your audience is more than likely to be female. Prepare accordingly! Likewise, if your audience is male, consider Mother/Son/Daughter your ‘go-to’ niche.

4. Consider The Age Of Your Customer Base

While this may not seem as important, your catalog will thank you. When writing taboo themes for profit, authors often have to think long term. This means writing for the current market, while also investing in future niches. Age plays a role in these decisions. According to Pornhub’s survey, the kinks between age groups is quite startling. For example, those in their twenties are more interested in Double Penetration or Lesbian. Those in their forties are more interested in Anal or Transgender. Likewise, those in their sixties are more interested in Handjob or Mature kinks. Consider this when writing those sub-categories. You can make your book appealing to that growing audience, while still tapping into the vastly wider current market. The emphasis you place on the book will simply change over time.

5. Holiday Themes Aren’t Worth It

Lot’s Cave sees a lot of authors looking to maximize sales around certain holidays, mainly Christmas and Halloween. If the sales traffic matches that of porn traffic, well, then the investment simply isn’t worth it. According to Pornhub, its traffic dropped on Christmas, Thanksgiving, Easter, St. Patrick’s Day, and Halloween (Lot’s Cave confirms that holiday themed erotica does not sell well). Likewise, there were a few increases in traffic on Black Friday, Valentine’s Day, and Good Friday. These days are probably best explained by the ‘days off’ they fall on in anticipation of a holiday. But, there isn’t a connection to a sudden kink filled frenzy. The one holiday that might be recommended to embrace is Valentine’s Day… but for taboo content… that’s a difficult sell. Although, we might like to see if any author can pull this off!

6. Lesbian Sex Is For Younger Women

Okay, this is kind of specific, but it is important. According to a Pornhub’s Women Searching for Women, the rate in which women are interested in Lesbian Sex goes down with age. Why is this important to you as an author? Well, it means your characters should fit certain criteria. Stories told from a younger woman perspective might speak better to a customer than stories featuring an older woman. Likewise, female readers might specifically relate more to college settings, new town settling in themes, or even returning home to their family for a little taboo twist. While this data doesn’t seem so important, it can, in fact, have a big impact on your sales in the long term.

7. Gay Themes Have Their Own Market

What we mean by this is well, look at this article. Gay porn has so much data to navigate that we could almost write a whole list just for this topic. If you’re a taboo author looking to write Gay themes exclusively, take time to invest in market research. While it might surprise many, 37% of Pornhub’s traffic for Gay porn was… women! This means there are vastly different kinks and customer bases within this category, making it more a distinct market in its own right. Likewise, Gay porn viewers can’t seem to agree on which kinks they enjoy best… at least by age. This makes it even more important to consider things like gender audience, age of customers, and corresponding kinks and sub-categories. Yes, the difference really is that vast!

8. Experimentation Seems To Increase With Age

This isn’t a data point we can show stated anywhere, but we couldn’t help but notice it. At least right now, the older you are… the more you like to experiment. However, this does seem to be a trend in men more than women. When writing a taboo themed story, especially one where experimentation is key, age really does matter. Stories that feature older characters should probably have them initiating the experimentation. Younger characters can wonder about it, watch porn about it, but are probably less likely to go out and try it. This probably has more to do with confidence with age, but who really knows. As an author, you can excuse it any way you like! Again though, watch out for that Lesbian and Gay market… this rule may not always ring true.

9. The Younger Generation Has Strange Interests

Yes, we’re calling the kettle black on this one, but hear us out. According to Pornhub’s survey, those in the 18-24 range tend to look up some odd porn. What does this mean for authors? Well, we’re not really sure. The younger generation seems intrigued by mixes of porn with popular trends. What do we mean? Well, one of the stranger categories watched by 18-24 year olds was fidget spinner porn. Could an author find a way to incorporate some of these odd trends in their books? Probably. The question is if it would pay off in the long run. It probably wouldn’t, but if you have that strange kink… you might try it if you have an audience that’s well… into fidget spinner porn. We’re intrigued, so let us know if this actually works for you!

10. Country Specific Niches Are A Thing

Alright, this one is last because it’s interesting but full of cautions. At times, certain countries seem to like their own country best. If you’re writing a book about Japanese women, you might consider highlighting it in the title. This doesn’t work for every country, and you will have to do your research, but it might be worth it for certain authors. Keep in mind, kinks do vary by country… as what is taboo varies by country. You may want to consider this before writing your book as there are plenty of smaller niche categories to highlight. Who knew the Japanese had such a fetish for piss play? Well, I guess if you read the survey…

To Conclude

Lot’s Cave likes to go through data, and we suspect some of you do as well. We recognize however that not every author likes to write ‘according to the data’. This is alright. There’s nothing wrong with writing for the enjoyment of writing. But, if you’re interested in boosting your book that little extra bit, why not try some of these options?

 

 

Top 10 Predictions For Taboo Authors In 2018

Here at Lot’s Cave, we look forward to the Book Industry Predictions post over at Smashwords every year. For indie-authors, this is often the most precise way to do market analysis with the least time spent. When you’re a publisher though, market analysis never ends. This year Lot’s Cave decided to share its own predictions for 2018. The market is rapidly changing and authors more frustrated than ever. Worse, there’s no list specifically designed for taboo authors. Well, now there is! Let’s take a look at 2018, taboo erotica, and predict what it means for you!

Predictions often mystify people, bringing to mind crystal balls, tarot cards, and magic spells; but they shouldn’t. That’s because accurate predictions are based on trends or repetitive patterns. As 2017 came to a close, many of these became clear. There continued to be an ever increasing amount of taboo romance and erotica themed eBooks, despite incentives otherwise. In response, many sites started to ring in the new year by implementing and securing strict content filters. Along with this, industry prices seemed to be getting lower and lower. Taboo authors rode out the storm during 2017 with success, but 2018 requires more scrutiny. What kind of scrutiny, well, check out our predictions.

Your 2018 Taboo Erotica & Romance Predictions

1. The Taboo Market Will Become Increasingly Competitive

With the new content restrictions imposed on authors, many publishing platforms refused new eBooks outright. Sites disappeared for taboo authors overnight, many times without warning. The publishing platforms that remained soon became flooded with titles, the back catalogs of authors now locked out elsewhere. As taboo publishing opportunities continue to shrink, the overall taboo market appears to stand a large chance of becoming flooded. Think about it, the average customer base of any one publishing platform does not change that rapidly. A surge in taboo titles then, reaches the same reading audience as before. This is what creates a competitive market, one that increases with each new title published.

To weather this change, taboo authors need to continue publishing only top quality content. It’s that simple.

2. There Will Be Immense Pressure To Undercut Taboo Prices

The problem with a highly competitive market is it often brings poor marketing strategies carried out by desperate authors. In 2017 many taboo authors lost 50% of their income, easily. Flooding sites with their titles was only the beginning. In their desperation, many authors uploaded their entire catalog overnight. What’s wrong with that? Well, it leads to a heavy drop off rate. Instead of building up their visibility, these authors echoed a scam. Readers couldn’t keep up, or simply didn’t want to. Now, these same authors will have to desperately make up the difference. How will they do that? The most common method is by undercutting the price of other authors’ books. Does that make sense, no. Will it be successful, no. But will authors continue to do this, yes. This is a prediction!

With a growing amount of authors ‘needing’ to undercut the prices of others, it’s worth noting the taboo market has weathered this overall trend quite well in 2017. Last year, the impact of Amazon’s Kindle Unlimited almost destroyed the romance market. Untouched, was the taboo erotica readership. While full 60,000 word romance novels were selling and competing at $0.99, the same length taboo erotica novels rose from $4.95 to $5.99 or $6.99. Meanwhile taboo erotica shorts of 2,000 – 3,000 words are now easily competing at the $2.99 price point — outselling longer $0.99 romance titles. How did this happen? Well, many people are quick to excuse it as a premium content fee. Admittedly, for many authors this is the best explanation… and a true explanation. But importantly there’s also a core to the pricing issue. The taboo erotica market exists outside of Amazon’s sphere, and readers continue to pay the old market prices for books. This trend will continue during 2018.

That’s really the problem, much of the overall eBook market in 2017 dropped from $2.99 to $0.99. Not only that, but the word count for said prices increased dramatically. Taboo authors are going to feel this shift now. The urge to lower prices is already starting in subtle ways. Smashwords has already begun experimenting with ‘holiday’ sales, often finding excuses to create them. Authors are known to slash their prices down to $0.99, or cut them by 50% for higher ticket items. In general, the author forums are filled with non-taboo erotica market advice. Everyone is shouting for authors to lower prices, and publishers are often giving incentives to do so. Newsletter signup bonuses, Platform wide sales, Promotion sites, and authors themselves are all demanding lower prices. In 2018, many taboo authors will buy into this, and in so doing, they will undercut their own market. Do not lower prices!

3. Micro-Short Stories Will Have To Be Curtailed

Along with higher competition and lower prices, comes an interesting phenomenon. Short stories will slowly die out, but only after seeing an over-saturation. With the needed exposure, many taboo authors will flood sites with short stories. And, well, why not do this? Quite frankly, there’s a huge incentive for authors to abandon novels when micro-shorts are selling for $2.99. But that price is only temporary, and it’s already dropping fast. Remember, the readership base of any site doesn’t increase dramatically. Flood a market, and readers get fed up. This will actually incentivize longer titles into selling. The problem is, again, competing for lower and lower prices. This is already starting to happen, as 12,000 word books sell at the $2.99 price point on the average. In 2018, this word count will increase to 15,000 or 20,000, essentially destroying the $3.99 price point.

4. Fringe Platforms Will Disappear

This is something that won’t actually cause a panic for many taboo authors. Due to content restrictions, taboo erotica and romance is already banned on sites like B&N, Kobo, Scribd, etc. These sites are desperate, and many of them will disappear in 2018. Why? Because first, in banning taboo content they got rid of their audience, and second, they outright can’t survive the ever decreasing market prices. Why do readers buy eBooks over print books? Well, many did so for the convenience of carrying around multiple books with ease. This is no longer an incentive, as readers recognize the fact they don’t often read more than two or three books at a time. Likewise, for avid readers, the incentive to buy eBooks exist on lower priced platforms (Kindle Unlimited). Those that love to buy eBooks are quite often either avid readers, or erotica readers looking for a discreet way to collect titles. These platforms satisfy neither taboo customer now!

5. Taboo Authors Will Be Forced To Utilize Kindle Unlimited

No, we aren’t expecting Amazon to allow taboo content. What we mean is that many authors who rely on writing for a living and look solely for profit in writing taboo content, will have to resort to Kindle Unlimited. The problem with this is that, quite often, authors find themselves unable to go back. Amazon has a very competitive market, and market analysis is extremely important to accumulate sales. But, that does come with a cost. Many authors will find themselves thinking only about marketing strategies for Kindle Unlimited. Their mindset actually changes to consider a free book valuable outside Amazon’s website. Time has proven free books and discount promotions on the average don’t work for taboo content. What will happen though is more flooding, lower prices, and in the long run, less money for authors. This goes with the understanding that Amazon isn’t necessarily bad, but combining platforms can be.  The thinking has a way of blending together, and that’s the danger. Authors writing solely for artistic expression are pretty much immune to this prediction.

6. Smashwords Will Actually Start To Drop

This isn’t something we like predicting, but it’s very important to taboo authors for 2018. Smashwords is one of the few platforms available for taboo content. The problem is Smashwords is often the largest and most popular. This means authors turned away from Amazon will decide to ‘try out’ Smashwords first. When B&N turned taboo content away, Smashwords took them in. Well, the lower prices, market flooding, and desperate authors are making this site less viable. Taking an honest look, we have to admit the sales won’t happen easily. For authors that lower their prices, they stand less of a chance of selling their book, not a greater chance! Why? Because Smashwords doesn’t often favor author based sales. In other words, Smashwords isn’t conducive to customers buying entire catalogs of one author. So, if your title is suddenly $0.99, do you think readers will purchase it? Why go through the shopping cart to buy just $0.99. Sure, readers buy multiple books browsing a site, but what happens when those books update too frequently to make a profit?

7. Lack Of Promotion Efforts Won’t Hurt Taboo Authors

One of the best trends to happen in 2018 is the closing gap in social media marketing for taboo authors. Newsletter advertising favors and incentivizes discounted books. Lot’s Cave takes the position that discounting is not necessary, particularly as newsletters are increasingly flooding the market. Other than that, authors have had to find a way to promote themselves through social media. Well, sites like Facebook have been hitting authors hard in this area. As they do so, authors that depended on social media will struggle. But, that comes as a benefit to taboo content. With the market starting to level off, as now, readers aren’t getting paid promotions shoved in their face. But this does not hurt taboo authors so bad as always, readers are less than likely to suggest taboo themed erotica to their friends.

8. Time Traps Won’t Draw In Taboo Authors Or Readers

Already 2018 is becoming a year about the next new thing. Authors are discussing new promotional platforms, audio books, podcasts, etc. These are all traps for the taboo author. There’s nothing quite as tempting as wasting time in a self-serving task like recording a podcast or an audio version of your book. For taboo authors specifically, this really does look ridiculous. We all need to be honest with ourselves in the erotica sphere of the market. No one wants to hear your voice because ‘they want to know what you sound like’. Erotic readers want their smut, they want it now, and they don’t want your voice permeating their erotic imagination. Write more, record less. Trust us, when 2018 comes to a close you’ll be happy you did.

Furthermore, it’s worth noting how bad of a marketing decision audio books are for taboo authors. If you think about it, there are too many ways to lose a potential reader. Is your book written in first person? You better have a narrator to match your character’s gender. Oh, your story is in third person? Well you better have an entire cast. Is your book extremely erotic and meant to get your reader off? Well you better hope your narrator is the right gender. Just don’t do this. Audio versions of books are great for some markets, but your market probably isn’t it if you’re reading this blog.

9. Amazon, Kindle Unlimited, And The Growing Problem

Lot’s Cave must admit, we don’t particularly like Amazon. Their Kindle Unlimited program has really devastated the market for everyone. That said, Amazon is starting to get a reputation. It’s not even a good reputation. The problem is though, that Amazon is a giant. As much as we don’t like them, we have to be honest when trying to predict their influence. We remember the Apple iBooks debate, and it wasn’t pretty. Amazon seems to always get its own way, and 2018 probably won’t be any different. Authors opt in, authors can opt out, and Amazon continues to grow in popularity. The best taboo authors can do in 2018 is learn how to work with Amazon as a factor. That won’t stop us from pointing out its flaws, and there might be some complaining, but hey, so is everyone else now!

10. Scams, Scams Everywhere

Lower prices, high competition, it’s a recipe that brings out the scam titles. The taboo niche of the market typically avoids this, but just wait. Scams in the taboo market are going to increase dramatically. These books may look poor in their cover design, or they may actually look pristine. Along with the scams always close behind come sloppy authors. This isn’t really the fault of the scammers, but they don’t help. In the mad dash to stay relevant, many authors will start cutting corners. This means books will have extremely short descriptions, no excerpt, or even generic covers on the sites that allow it. For those that care about quality content, the combination can be infuriating and disheartening.

What The Market Will Look Like For Taboo Authors

Lists of predictions are great, but often times, they’re a bit overwhelming. To help ease the confusion, we wanted to finish by walking you through what you might notice in 2018. This isn’t going to be true for everyone. Admittedly, the author that locks themselves away and writes probably won’t notice many of the changes until they emerge. But, for those committed to analyzing the market, there will be notable changes. These are what you can write down on a sticky note, place on your computer, and simply watch. They also make a great set of guiding posts to keep yourself from falling into traps throughout 2018. Of course, please make sure you analyze your strategies first.

High Competition

The first thing you’ll notice as an author is a lot of competition. This will often be checking your publishers’ front page, only to find your book has already slid off. Authors will likewise be frantic, and less likely to agree on any one strategy. There will be tons of short stories selling right alongside novels. You might also notice a certain niche or kink taking up key spots in the best seller lists, and these might even feel outdated to you. That’s because the newer titles will sell too quickly to replace the backlog of sales, particularly of Smashwords. Backlog sales are counted on their site when determining book rankings. As odd as it might sound, the less sales overtime mean low replacement rates on best seller pages.

Weird Price Ranges

Along with the high competition, you might notice a sliding scale in prices. This is already starting to happen, and it will probably frustrate many authors. By the time you upload and choose your selling price, the market has shifted. Some books, due to the author’s prevalence, can charge drastically higher prices than a new author. While this happens all the time, this year it will be even more prevalent. This also comes with that saturation, and many authors will desperately lower prices leading to the difference. Not only that, but the quality of books will look quite different. Why? Well, because there will more than likely be a pool of authors flooding alternative site. The book covers are geared toward the original platform, not yours.

Pressure, And Lots Of It

Every author feels a certain amount of personal pressure to succeed. But, in 2018, this pressure is going to intensify. There will be an immense amount of pressure to cave into overall market trends. This will often be in the areas of social media promotion, pricing, and word count. The pressure doesn’t mean authors have to cave into it, but when slow sales start to occur, it can be a tempting prospect. Knowing that this pressure is going to occur ahead of time, will often provide the opportunity to figure things out beforehand. That’s the real value of predicting trends, you don’t fall into the traps of lower prices when you don’t need to just because an author in an outside market says to do so.

Steady Change

As an author, there’s really nothing to be done about platform changes. The thing is, they can be noticed. If Kobo were to actually shut down, or go exclusive with their romance subscription service, that would be easy to note while publishing. These changes are actually quite notable even for authors not looking for them. If there’s more ‘holiday’ sales on Smashwords and you’re publish frequently, you’ll notice. When you browse top sellers, if cover art shifts, you’ll notice. Kinks, title themes, sales, available platforms, sliding scales for word counts and prices are all things you can take note of without much time invested in the process. It’s worth doing this, even if it’s a minute observation.

To Conclude

Overall, 2018 has the potential of being a really successful year for taboo content. The market is actually shrinking in some ways, but exploding in others. Somewhat trapped in the middle is taboo erotica and romance. Admittedly some of this year’s trends were felt last year in the mainstream romance niche. But, isn’t that all for the better? It means we’re almost guaranteed changes that can be acted on beforehand. The best way an author can deal with anticipated and unanticipated changes is continuing to publish. Publish as frequently as you can, but be always mindful of content quality. Put out a great product every time, and you can charge whatever you want for it. You’ll weather the storm of 2018 just fine. But, as a whole, it’s looking like a promising year. Happy 2018!

Relatively Complicated: Examining The Story of Esther

” And he brought up Hadassah, that is, Esther, his uncle’s daughter: for she had neither father nor mother, and the maid was fair and beautiful; whom Mordecai, when her father and mother were dead, took for his own daughter.” 

-Esther 2:7-

The Bible has plenty of incestuous relationships within its pages. Indeed, the Bible is a veritable anthology of incest according to some. Blatant accounts of such relationships span all the way from Abraham to Jesus. In an effort to understand if the bible condones incest in today’s society, people are digging deeper into the historical accounts of these often familiar stories. At times, these brief new looks into biblical stories provides new historical context, cultural insights, and occasionally includes new theories into the moral lessons and religious laws. Today, the biblical account of Esther has become perhaps the greatest example of this.

Much of what people have come to understand about the story of Esther is taken from biblical accounts. Many readers would be surprised to find the biblical translations can vary immensely. Making matters more complicated, the Jewish version of the story has seen errors in translation. Additionally, the “gaps” in plot or historical accounts have various explanations accounted for in different midrash. This means that Christians can walk away with a different understanding of Esther’s story depending on how in-depth they wish to research or even the various accounts they chose to read. Surprisingly, one of these varying accounts puts an incestuous spin to Esther’s story making the context vastly different.

One version of Esther’s story suggests that Mordecai was not only Esther’s first cousin, but also her husband. This idea seems to stem even into Greek translations of the Hebrew Bible as they can be found in the Septuagint. According to this version, Mordecai took Esther to live  with him as his wife instead of an adopted daughter. Some historical sources indicate Esther would have been around the age of fourteen and therefore of marital age. Because other traditions see Mordecai only as an adoptive father however, Esther’s age is popularly stated to be around forty making her even more likely to be married. This idea makes Esther’s story vastly different and complicates the idea of her later being married off to the King of Persia.

If Esther was already married to Mordecai, then her relationship with the King could be seen as adulterous. This view though fails to take into account the Jewish laws of the time. Since Esther would have had no choice but to accept the King’s sexual advances and expectations, her actions would not have been considered adulterous. Mordecai was well within his right to view Esther as a loyal and respectable wife. In some Jewish traditions not only did Mordecai view Esther as such, but he continued to live with her despite the marriage to the King of Persia.

What changes Esther’s story, remains rooted in the concept of choice. Esther could only remain Mordecai’s wife if her sexual relationship with the King was viewed as forced. The moment Esther chose to go before the King herself, the dynamics of their relationship changed. Not only would Esther lose Mordecai as her husband, but she would be seen as adulterous. Supporting this version of the story, midrash states Esther lost the spirit of divine inspiration the moment she went to the King’s palace. This additional element to Esther’s story highlights yet another obstacle Esther must overcome to save her people.

Interestingly, Esther and Mordecai’s relationship to each other doesn’t seem to disappear after Esther does indeed save her people. In fact, Esther sees to it that Mordecai is given a high position within the King’s palace. This position is given to Mordecai after the King learned how Mordecai is related to Esther, and the new position allows Mordecai to enter the palace at his leisure. The not so subtle gesture continues to permit Mordecai to visit Esther, while maintaining a sense of propriety and sensibility. Whether or not Esther and Mordecai continue their relationship, or even how Esther handles the implications of her actions, remains unwritten.

What can be known from Esther’s story remains written down for all to read into the text. Suddenly the strange focus on Mordecai despite the book being Esther’s story makes more sense. The conflicting emotions Esther’s feels about going before the King are only added to making Esther all the more bold and daring. Esther’s story is not only about saving her people, but also about preserving her biblical marriage as long as possible. Whether this version of the story is accurate or not, it certainly has compelling implications.

Incestuous relationships may not be anything new to the bible, but viewing them as sanctified or divinely inspired is often  difficult. Many readers and Christians scoff at the idea of incest being permissible. When we take a closer look at the biblical stories however, incest continues to be a common theme. Not only are the incestuous relationships of the Old Testament almost too numerous to count, but we’re starting to see positive relationships carrying over to Christ and His message within the New Testament as well. If the bible portrays incest in a positive light, what implications does that present to society today?

Short Stories, Novels, & Motivation

In today’s erotic eBook market, authors debate between writing short stories or going for longer novel length books. While both story lengths seem to appeal to various readers, authors want to know which style maximizes sales. In a rush to decide what sells better, I think authors have forgotten to take a step back. What we really need to be asking as authors is simple, what length is best for my personal writing style? Having made the transition myself, I thought I’d discuss what I found.

The Good Mother, by Gerry Maxwell

By: Gerry Maxwell

Write shorts to explore a genre or kink: When I first started writing, shorts were everything. Stories in the 3,000 – 5,000 word range were a perfect way to explore subject matter. Despite the decline in short story sales, shorts remain a viable option for authors. Considering a new kink? Try writing a short story first. Just starting out in your writing career? No problem, write plenty of shorts to get your name out there. Before defining yourself as an author, shorts are a great tool to make an impact while exploring various erotic subjects.

Behind the Glory Hole, by William Cooper

By: William Cooper

Novels point out writing flaws: One of the reasons I love writing novels now happens to be they point out my weaknesses. If you’re writing stories spanning only 3,000 words, odds are writing weaknesses won’t be apparent. Trust me, 40,000 words points out all the writing flaws an author has. If you’re looking to be a stronger writer, try a novel. Using words like that, just, and honestly, too much? By the end of a 40,000 word book, the habit will be obvious. Plus, you’ll get plenty of practice weeding these words out in the long run.

Big Sis, by Betty Beckett

By: Betty Beckett

Price points make a difference: If you’re looking for the most sale potential, novels are the way to go. For every single you sell, you’ll make double your money. On the other hand, shorts are great for authors looking to expand their catalog. Whether you have novels or shorts, only having one title decreases odds book will sell. Taking the time to have a variety of books to offer has a direct impact on sales potential. In the long run, an author can better choose to write shorts or novels based on personal preference.

A Twisted Web of Lust, by John E. Jay

By: John E. Jay

Time constraints don’t matter: Want to write a novel, but are afraid of the time investment? Don’t be, in reality it’s the same amount of writing. On average, authors of shorts write between 8 – 10 books a month. If these books are 5,000 words or more, authors are actually writing 40,000 words a month already. The investment for authors in the case of a novel is more long term, instead of eight short titles. Authors shouldn’t worry about if they do it, odds are they already have!

Indian Family Heat, by Vinod Nair

By: Vinod Nair

Ultimately, writing shorts and novels depends on personal preferences. As an author, I now prefer to write novels. Because I started out writing shorts however, shorts remain my favorite. If I have an extra day at the end of the month, I’ll write a short story. After writing a couple novels, I discovered my shorts improved. Novels may create better writers, shorts might be more practical. In either case, we need to examine what motivation drives us to write. The answer might surprise all of us.

Daddy's Mask, by Lily Weidner

By: Lily Weidner

Incest In Popular Culture

The taboo topic of incest continually makes its way into every day conversation—an interesting prominence for something so controversial. Yet the frequency of these taboo conversational occurrences continues to increase. In the majority of these discussions, incestuous relationships are depicted as a “reluctant sexual experience” or worse.

In Laws, a Lot's Cave eBook written by Baron LeSade

Could it be that the environment of sexual censorship on television during the 1940’s, ‘50s, 60’s, and 70s required all incest to be depicted in an immoral light? However, a surprising number of consenting relationships exist as well, and more recently, the way incest is being depicted in society has started raising questions as to the possibilities of incestuous relationships being consensually romantic. Examining the motivations of each represented incestuous coupling only furthers the acceptance of incest as a whole. Whether or not someone looks for incest, it’s readily stumbled upon. In fact, the topic of incest is so widely mentioned it’s guaranteed to show up at some point.

Country Taboo, a Lot's Cave eBook written by Houston Cei

Schools generally require young adults to explore mythology at some point in their education. While we often find mythological gods and goddesses involved in relationships riddled with incest, often these relationships contain lessons of a significant cultural relevance in today’s modern society. The Oedipus Trilogy is often required reading at the high school level. No one objects to these stories being read, examined, and then reexamined as a culturally important work. For many, these Greek Tragedies raise questions on the acceptability and impact of incestuous relationships. And the Oedipus Trilogy isn’t the only group of stories that high schooled youth run into regarding the topic of incest. Recommended books such as The Mayfair Trilogy by Anne Rice, V.C. Andrews’ Flowers in the Attic, The Mists of Avalon by Marion Zimmer Bradely, and Aztec by Gary Jennings all contain incest at some level.

Big Sis, a Lot's Cave eBook written by Betty Beckett

Incest permeates not only our everyday culture, but our pop culture as well. We easily see this in some of today’s most popular shows and movies. Witness Back To The Future and Star Wars. The currently popular Game of Thrones television series is certainly no stranger to incestuous sex. Likewise, the cult movie The Rocky Horror Picture Show features the beloved characters of Riff Raff and his sister Magenta who many debate maintain a sexual relationship. Lolita seems to be another cult move classic that captures the story of pseudo incest well enough to figure in a variety of film adaptations. The popular shows House, Numb3rs, Sons of Anarchy, and American Horror Story: Coven all touch on incestuous relationships in a variety of forms.

The Kinky Chef, a Lot's Cave eBook written by Kinky Vinyl

The topic of incestuous relationships between cousins can be tough to debate despite the ever growing list of its acceptance within pop culture and dramatized depictions. Sometimes movies portray cousin relationships as consensual and completely acceptable, while other times the topic is dealt with carefully to meet censorship sensibility standards. Nevertheless, many different stories touch on sexual relationships between cousins, such as, Mansfield Park and Jane Eyre, which have become great works of literature. One popular film series that touches on a cousin romance is the ever classic Godfather Trilogy. This romantic relationship is depicted in a better light, if not completely acceptable as well. More frequently today, cousin relationships are being depicted as consensual bordering on assumptions of social acceptance.

Forever Sweet, a Lot's Cave eBook written by Mosey

Today we find incest brought up in many different environments, in many different ways. Often we don’t even notice the presence of incest while taking the overall story as a whole. In movies and television shows, incest means guaranteed expansion and ever growing popularity with audiences. Today’s view is changing away from the established belief of forced sexual relationships. The realistic depictions of consented incestuous romances have us asking, “Just how taboo should incest be today?” Considering the controversy surrounding incest, the taboo is quite popular and embedded into our everyday culture. Just what the future holds regarding the legality of and social acceptance of incestuous relationships remains unclear. All Lot’s Cave knows is that incestuous erotica has never been so popular.

Purple Zipper Horizontal

King Solomon Married His Mother

The Biblical kings through the line of David were required to sleep with their mother’s in order to prove their ability to fertilize the land. The entire book, The Song of Solomon is a celebration of such incest. What evidence exists to back up such claims?

The Bible claims the maiden Abishag was chosen for her beauty, to engender “heat” in the aged King David (1 Kings 1:2). This “heat” was not mere warmth, but the sacred fire of sexual potency, without which no king could be allowed to rule. If an impotent king were kept in office, his land would become barren. Hence, when David failed to “know” Abishag, a more virile prince (Adonijah) immediately prepared to assume the throne, and “exalted himself saying, I will be king” (1 Kings 1:5). David’s death occurred with suggestive promptness after his failure of the virility test.

Abishag’s name might be related to the Hindu Abhiseka ceremony, the anointing of kings with the sacred fluid of the Goddess Sarasvati.[1] Front China to the Mediterranean, ancient kings derived their legitimation from a mating with the Goddess through her priestess surrogate.[2] Mesopotamian kings and their deified souls, the gods, were constantly described as “beloved” of the Goddess known as creatress of the earth and “maker of fate, she who decrees the fate of men and gods.”[3] Like the eastern Goddess, Abishag represented the land in the same was as Solomon’s bride, whose mating was chronicled in the requisite intimate detail by the Song of Solomon.

After David’s death, the queen mother chose between rival candidates Solomon and Adonijah. She crowned Solomon with her own hands (Song of Solomon 3:11), after the custom of royal women whose business it was to enthrone or depose kings, as in India, Egypt, and the lands of the Fertile Crescent.[4] However, Adonijah still had designs on the throne, as shown by his request for the hand of Abishag in marriage. To prevent this symbolically and politically significant marriage from taking place, Solomon had Adonijah murdered (1 Kings 2:17-25). The Bible fails to explain Solomon’s strangely violent reaction to Adonijah’s request; but it can only have meant that the crown was at stake. This in turn shows that the sexual union with his mother, Abishag, was a prerequisite for royal office.

A Mother's Love, a Lot's Cave eBook, written by

The Bible shows instance after instance of incest. Yes, all incest except between father and daughter appears to be banned by Mosaic Law, but I cannot find one example anywhere out of over 600 places in the Bible where incest is discussed that God in any way punishes it. In fact, as often as not, he seems to bless any offspring resulting from the union. What’s up with this?


[1] Gaster, 514.

[2] Boulding, 191.

[3] Pritchard, A.N.E. 1,65; 2, 17, 21, 135, 202.

[4] Boulding, 210.